Bøker av Bruce F. Kawin

This powerful collection of poems by Bruce F. Kawin deals with the nature and demands of love, from the sexual and romantic to the metaphysical, in an engaging variety of forms and voices. The poems are clear, fresh and vivid, with good stories and characters, and they relate plainly to real life.

Horror films can be profound fables of human nature and important works of art, yet many people dismiss them out of hand. Horror and the Horror Film conveys a mature appreciation of horror films along with a comprehensive view of their narrative strategies, their relations to reality and fantasy, and their cinematic power. The volume covers the entire genre, considering every kind of monster in it including the human.After defining horror and thoroughly introducing the genre, the text offers a rich survey of all of the horror films subgenres, before concluding with a look at the related genres of horror comedy and horror documentary. International in scope, its survey extends from the first horror films (1896) to the present, discussing more than 350 movies. Through its comprehensive and detailed investigation of the genre, Horror and the Horror Film offers a compelling, insightful look at how the horror film frightens and revolts the viewer, its reasons for doing so, and the art of portraying and evoking fear, and will be a great asset to film scholars, horror enthusiasts and readers yet to be convinced of the importance of the genre.

This engaging collection of Bruce F. Kawin's most important film essays (1977-2011) is accompanied by his interviews with Lillian Gish (1978) and Howard Hawks (1976). The Hawks interview is particularly concerned with his work with William Faulkner and their friendship. The Gish interview emphasizes her role as a producer in the 1920s. The essays focus on such topics as violence and sexual politics in film, the relations between horror and science fiction, the growth of video and digital cinema and their effects on both film and film scholarship, the politics of film theory, narration in film, and the relations between film and literature. Among the most significant articles reprinted here are "e;Me Tarzan, You Junk,"e; "e;The Montage Element in Faulkner's Fiction,"e; "e;The Mummy's Pool,"e; "e;The Whole World Is Watching,"e; and "e;Late Show on the Telescreen: Film Studies and the Bottom Line."e; The book includes close readings of films from "e;La Jetee"e; to "e;The Wizard of Oz."e;