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  • av Caitlin Haskell
    341,-

    A look at Ellsworth Kelly's eight Spectrum Colors Arranged by Chance collages and how they set the foundation for his career-long exploration of abstract, minimalist art   Revered for his iconic color field paintings, Ellsworth Kelly (1923-2015) is one of the most influential artists in American Abstraction. His body of work, encompassing paintings, sculptures, and prints, illustrates his unprecedented experiments with form and color. Less well known are his eight collages, known as Spectrum Colors Arranged by Chance (1951), which led directly to some of the artist's most iconic early works. Made from papier gomette, or sticky squares of colored paper used by French schoolchildren, these collages represent Kelly's early exploration of non-compositional strategies. Created by using chance operations to place the gomette on grids, Spectrum Colors Arranged by Chance boldly anticipates the evolution of Kelly's innovative methods. Alongside brilliant photographs that bring the reader into intimate contact with Kelly's series of collages, a wide-ranging roundtable conversation with artist Jacqueline B. Humphries, art historian Hannah Higgins, and Kelly's widower, the photographer Jack Shear, explores the origins of these groundbreaking works and their continued resonance today, bringing to life the story of his bold, experimental designs.    Distributed for the Art Institute of Chicago

  • av Caitlin Haskell
    447,-

    An exploration of the captivating work and mystical outlook of the modern artist Remedios Varo, focusing on her years in Mexico City

  • av Caitlin Haskell & Katrina Rush
    363,-

    "When Renâe Magritte reached his 40s, something unexpected happened. The painter, who had honed an iconic Surrealist style between 1926 and 1938, suddenly started making paintings that looked almost nothing like his earlier work. First he adopted an Impressionist aesthetic, borrowing the sweet, hazy palette of Pierre-Auguste Renoir-which he described as "sunlit Surrealism." Then his style shifted again, incorporating popular imagery, the brash colors of Fauvism and the gestural brushwork of Expressionism. And then Magritte returned to his classic style as if nothing had happened. Renâe Magritte: The Fifth Season looks at the art Magritte made during and after the stylistic crises of the 1940s, revealing his shifting attitudes toward painting. Subjects explored in this volume include the artist's Renoir period; the pâeriode vache, with its Fauvist- and Expressionist-style paintings that are little known to American audiences; the "hypertrophy of objects" paintings, a series that plays with the scale of familiar objects; and the enigmatic Dominion of Light suite, paintings that suggest the simultaneous experience of day and night. Featuring full-color plates of approximately 50 oil paintings, and a dozen of the artist's gouaches, Renâe Magritte: The Fifth Season offers a new understanding of Magritte's special position in the history of 20th-century art. In a career of almost half a century, Belgian Surrealist Renâe Magritte (1898-1967) probed the distance between object, language and image. Even as he playfully explored new styles, his painting practice remained consistent in its cautionary message not to equate the observable world with reality in all its fullness." -- Publisher's description.

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