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  • av Carlo Collodi & C Collodi
    169 - 238

  • av Carlo Collodi
    70,-

    HarperCollins is proud to present its incredible range of best-loved, essential classics."e;But I am not like other boys! I always tell the truth."e;The story of Pinocchio has remained one of the best-loved children's tales for over a century. However, the original 1883 novel about the adventures of the mischievous marionette on his quest to become a real boy began as a sophisticated story for both adults and children, and includes political satire, slapstick humour and questions about the role of tradition and society. From the moment Geppetto decides to carve himself a son from a magical piece of wood, the tale lurches from one fantastical episode to another, in one of the most enchanting fables of all time.

  • av Carlo Collodi
    121 - 126

    The old wood-carver Geppetto decides to make a wonderful puppet which can dance and turn somersaults, but by chance he chooses an unusual piece of wood - and the finished puppet can talk and misbehave like the liveliest child. But Pinocchio is brave and inquisitive as well as naughty, and after some hair-raising adventures, he earns his heart's desire.Heart-warming introduction by John Boyne, author of Boy in the Striped Pyjamas.

  • av Carlo Collodi
    147

    The story of the wooden puppet who learns goodness and becomes a real boy is famous the world over, and has been familiar in English for over a century. From the moment Joseph the carpenter carves a puppet that can walk and talk, this wildly inventive fantasy takes Pinocchio through countless adventures, in the course of which his nose grows whenever he tells a lie, he is turned into a donkey, and is swallowed by a dogfish, before he gains real happiness. This new translation does full justice to the vibrancy and wit of Collodi's original. Far more sophisticated, funny, and hard-hitting than the many abridged versions (and the sentimentalized film) of the story would suggest, Ann Lawson Lucas's translation captures the complexity of Collodi's word-play, slapstick humour, and immediacy of dialogue. An adult reader will recognize social and political satire, and the invaluable introduction and notes illuminate the cultural traditions on which Collodi drew.

  • av Carlo Collodi & Lee Hall
    198

    Writer Lee Hall and director Marcello Magni (co-founder of the Theatre de Complicite) rework Carlo Collodi's classic tale of Pinocchio in slapstick commedia dell'arte style which should appeal to all ages.

  • av Carlo Collodi
    410

    Perella's translation and introductory essay capture the wit, irony, anmbiguity, and social satire of the original nineteenth-century text. satire of the original nineteenth-century text.

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