Bøker av Catherine Russell

Catherine Russell uses the work of Walter Benjamin to explore how the practice of archiveology-the reuse, recycling, appropriation, and borrowing of archival sounds and images-by filmmakers provides ways to imagine the past and the future.

Demystifies the canon of great Japanese cinema. This book approaches Japanese cinema as an industry closely modeled on Hollywood, focusing on the classical period - those years in which the studio system dominated all film production in Japan, from roughly 1930 to 1960.

One of the most prolific and respected directors of the Japanese cinema, Naruse Mikio (1905-69) made eighty-nine films between 1930 and 1967. This book illuminates Naruse's contributions to Japanese and world cinema.

Suitable for visual anthropologists, as well as film scholars interested in experimental and documentary practices, this book focuses on both the avant-garde and visual anthropology. It provides an analyses of more than thirty-five films and videos from the 1890s to the 1990s.

In these analyses of 20th century cinema , Russell reveals an uneasy relationship between death and closure, which she traces to anxieties about identity, gender, and national-cultural myths, and also to the persistence of desire.