Bøker av Charles Robert Cockerell

Il libro offre una dettagliata analisi delle statue della favola di Niobe, esposte nella Galleria degli Uffizi di Firenze. L'autore esplora la storia e l'arte della scultura greca e romana e fornisce una valutazione critica delle statue di Niobe. Il libro è illustrato con numerose immagini e disegni.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

The Journal of CR Cockerell RA is a collection of personal diary entries and sketches by British architect Charles Robert Cockerell, edited by his son Samuel Pepys Cockerell. The journal covers Cockerell's travels throughout Europe and the Middle East, as well as his work as an architect and his personal relationships.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

The architect Charles Robert Cockerell (1788-1863) was encouraged to travel at a young age, so that he might draw inspiration from the great works of European architecture. However, when the Napoleonic Wars made parts of the continent inaccessible to Englishmen, his eye was turned towards southern Europe and the Ottoman Empire. This version of the Grand Tour took up seven years, during which he recorded the events in his journals. There his observations would have remained had it not been for the editorial labours of his son, Samuel Pepys Cockerell (1844-1921), who published the present work in 1903. The narrative takes in such cities as Constantinople, Athens, Florence and Rome. Touching also on friendships made with such figures as Byron, the text gives a sense of what continental travel was like at that time and how the architecture of the past continued to captivate designers in the modern age.