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This dramatic and detailed account of the World War I naval operations at Ostend and Zeebrugge offers a vivid portrayal of the strategic, logistical, and human challenges faced by the British and their allies. Drawing on first-hand accounts and dispatches from Vice-Admiral Sir Roger Keyes and other officers, this book offers a unique window into one of the most significant naval operations of the war.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This book has been considered by academicians and scholars of great significance and value to literature. This forms a part of the knowledge base for future generations. We have represented this book in the same form as it was first published. Hence any marks seen are left intentionally to preserve its true nature.
This book has been considered by academicians and scholars of great significance and value to literature. This forms a part of the knowledge base for future generations. We have represented this book in the same form as it was first published. Hence any marks seen are left intentionally to preserve its true nature.
Charles Sanford Terry (1864-1936), Historian and Bach Scholar.He studied at St. Pauls Cathedral Choir School as a solo boy, King's College and Lancing. He studied history at Cambridge and lectured in history at Durham College of Science and at Aberdeen. He spent much of his life devoted to Music and to Bach in particular. He started choral societies in both Newcastle and Durham. He wrote extensively on Bach. Walter Emery said that his biography of Bach was "the only one that is both detailed and readable". I have a theory that it is easier to read books by musicians who were trained in English or history.
This book, first published in 1922, uses a variety of eighteenth-century sources to construct a narrative of the Jacobite movement during the attempted invasion of 1708 and the Risings of 1715 and 1719. First-hand accounts are presented with minimal editorial interference, allowing those who were involved in the fighting to 'tell its incidents in their own way'.
Originally published in 1921, this book by distinguished historian Charles Sanford Terry is a streamlined history of Scotland from the Stone Age onwards. The text is aided by genealogical tables of key Scottish families and several maps, including one of the distribution of the Highland clans.
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