Bøker av Charlotte Perkins Gilman

A powerful collection of early feminist stories from the activist and writer Charlotte Perkins Gilman.Gilman created a world that could be viewed from the feminist gaze. She focused on how women were not just stay-at-home mothers they were expected to be but also people who had dreams, who were able to travel and work just as men did, and whose goals included a society where women were just as important as men. In the early 1900s this was striking and revolutionary. The stories in this collection are: 'A Coincidence'; 'According To Solomon', 'An Offender', 'A Middle-Sized Artist', 'Martha's Mother', 'Her Housekeeper', 'When I Was A Witch', 'Making a Living', 'A Coincidence, The Cottagette', 'The Boys and the Butter', 'My Astonishing Dodo', and 'A Word In Season'. Foundations of Feminist Fiction. The early 1900s saw a quiet revolution in literature dominated by male adventure heroes. Both men and women moved beyond the norms of the male gaze to write from a different gender perpective, sometimes with female protagonists, but also expressing the universal freedom to write on any subject whatsoever.

"Herland" prompts readers to consider the failures of men to create a utopia, and wonder if women could succeed where men did not.

Written by feminist Charlotte Perkins Gilman of "The Yellow Wallpaper" fame in 1911, "Moving the Mountain" is a utopian novel where America has fulfilled its Progressive 'destiny.'

Charlotte Perkins Gilman, in full Charlotte Anna Perkins Stetson Gilman, née Charlotte Anna Perkins, also called Charlotte Anna Perkins Gilman, (born July 3, 1860, Hartford, Connecticut, U.S.-died August 17, 1935, Pasadena, California), American feminist, lecturer, writer, and publisher who was a leading theorist of the women's movement in the United States.In 1898 Perkins published Women and Economics, a manifesto that attracted great attention and was translated into seven languages. In a radical call for economic independence for women, she dissected with keen intelligence much of the romanticized convention surrounding contemporary ideas of womanhood and motherhood. Her notions of redefining domestic and child-care chores as social responsibilities to be centralized in the hands of those particularly suited and trained for them reflected her earlier interest in the Nationalist clubs advocated by Edward Bellamy, and she expanded on contemporary ideas in Concerning Children (1900) and The Home (1903). In June 1900 she married a cousin, George H. Gilman, with whom she lived in New York City until 1922. Human Work (1904) continued the arguments of Women and Economics. Later books include What Diantha Did (1910), The Man-Made World (1911), in which she distinguished the characteristic virtues and vices of men and women and attributed the ills of the world to the dominance of men, The Crux (1911), Moving the Mountain (1911), His Religion and Hers (1923), and The Living of Charlotte Perkins Gilman: An Autobiography (1935).From 1909 to 1916 Gilman edited and published the monthly Forerunner, a magazine of feminist articles, views, and fiction. She also contributed to other periodicals. Gilman joined Jane Addams in founding the Woman's Peace Party in 1915, but she was little involved in other organized movements of the day. After treatments for the cancer that afflicted her proved ineffective, she took her own life. (britannica.com)

Charlotte Perkins Gilman (née Perkins; July 3, 1860 - August 17, 1935), also known by her first married name Charlotte Perkins Stetson, was an American humanist, novelist, writer, lecturer, advocate for social reform, and eugenicist. She was a utopian feminist and served as a role model for future generations of feminists because of her unorthodox concepts and lifestyle. She has been inducted into the National Women's Hall of Fame. Her best remembered work today is her semi-autobiographical short story "The Yellow Wallpaper", which she wrote after a severe bout of postpartum psychosis.

Charlotte Perkins Gilman (née Perkins; July 3, 1860 - August 17, 1935), also known by her first married name Charlotte Perkins Stetson, was an American humanist, novelist, writer, lecturer, advocate for social reform, and eugenicist. She was a utopian feminist and served as a role model for future generations of feminists because of her unorthodox concepts and lifestyle. She has been inducted into the National Women's Hall of Fame. Her best remembered work today is her semi-autobiographical short story "The Yellow Wallpaper", which she wrote after a severe bout of postpartum psychosis.

Women and Economics - A Study of the Economic Relation Between Men and Women as a Factor in Social Evolution is a book written by Charlotte Perkins Gilman and published in 1898. It is considered by many to be her single greatest work, and as with much of Gilman's writing, the book touched a few dominant themes: the transformation of marriage, the family, and the home, with her central argument: "the economic independence and specialization of women as essential to the improvement of marriage, motherhood, domestic industry, and racial improvement."

PREFACEThis story is, first, for young women to read; second, for young men to read; after that, for anybody who wants to. Anyone who doubts its facts and figures is referred to "Social Diseases and Marriage," by Dr. Prince Morrow, or to "Hygiene and Morality," by Miss Lavinia Dock, a trained nurse of long experience.Some will hold that the painful facts disclosed are unfit for young girls to know. Young girls are precisely the ones who must know them, in order that they may protect themselves and their children to come. The time to know of danger is before it is too late to avoid it.If some say "Innocence is the greatest charm of young girls," the answer is, "What good does it do them?"

A collection of the groundbreaking feminist writer's most famous works, with a thought-provoking introduction by bestselling author Kate Bolick.A Penguin Vitae EditionWonderfully sardonic and slyly humorous, the writings of landmark American feminist and socialist thinker Charlotte Perkins Gilman were penned in response to her frustrations with the gender-based double standard that prevailed in America as the twentieth century began. Perhaps best known for her chilling depiction of a woman's mental breakdown in her unforgettable 1892 short story "The Yellow Wall-Paper," Gilman also wrote Herland, a wry novel that imagines a peaceful, progressive country from which men have been absent for 2,000 years. Both are included in The Yellow Wall-Paper and Selected Writings, along with a selection of Gilman's major short stories and her poems. New York Times bestselling author Kate Bolick contributes an illuminating introduction that explores Gilman's fascinating yet complicated life.Penguin Classics launches a new hardcover series with five American classics that are relevant and timeless in their power, and part of a dynamic and diverse landscape of classic fiction and nonfiction from almost seventy-five years of classics publishing. Penguin Vitae provides readers with beautifully designed classics that have shaped the course of their lives, and welcomes new readers to discover these literary gifts of personal inspiration, intellectual engagement, and creative originality.

Charlotte Perkins Gilman (née Perkins; July 3, 1860 - August 17, 1935), also known by her first married name Charlotte Perkins Stetson, was an American humanist, novelist, writer, lecturer, advocate for social reform, and eugenicist. She was a utopian feminist and served as a role model for future generations of feminists because of her unorthodox concepts and lifestyle. She has been inducted into the National Women's Hall of Fame. Her best remembered work today is her semi-autobiographical short story "The Yellow Wallpaper", which she wrote after a severe bout of postpartum psychosis.