Bøker av Christopher Dingle

Assesses Messiaen's position as a creative artist of the twentieth century in the light of a research. This volume presents some of the fruits of this research, concentrating on three broad, interrelated areas: Messiaen's relationship with fellow artists; key developments in the composer's musical language and technique, and his influences.

When Olivier Messiaen (1902-1992) completed the vast opera Saint Francois d'Assise in 1983, he was mentally and physically exhausted, and believed that this monumental work would be his final compositional statement. Seven further works emerged, however, and these form the focus of the present study. Christopher Dingle suggests that.