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This book is the final volume of the Oxford English Texts edition of The Complete Works of Christopher Marlowe. Volume four contains the two parts of Tamburlaine the Great, edited by David Fuller, and The Massacre at Paris, edited by Edward J. Esche. It is the first time that either text has been presented in an old-spelling edition with textual annotation and a full critical commentary. Readers will find a detailed discussion of the plays' subject matter, context, textual history, interpretation, stage action, and language.
Marlowe's unfinished masterpiece, as completed by George Chapman (1598). Includes an introduction and notes by Edward Blunt.
Originally published in 1928, this book contains the text of Marlowe's Doctor Faustus, with some minor modernisation and occasional emendation. An editorial introduction is included, along with extensive notes. This book will be of value to anyone with an interest in English theatre and early modern literature.
Marlowe's classic treatment of the myth of man's greed and ambition has contemporary reverberations that make it compelling drama. Plays for Performance Series.
Originally published in 1955, as part of the English Literature for Schools series, this book contains the complete text of Christopher Marlowe's Edward the Second. An introduction and editorial notes are also included. This book will be of value to anyone with an interest in Marlowe and English Renaissance drama.
A scholarly edition of works by Christopher Marlowe. The edition presents an authoritative text, together with an introduction, commentary notes, and scholarly apparatus.
Dramatically compressing the reign of Edward II and enlivening the historical narrative with humour, romance, and horrific violence, Marlowe interrogates how the transgression of accepted codes of behaviour affects even those at the highest level of society. Kept off the stage for almost three hundred years because of its dramatization of explicit homosexual relationships, it has become increasingly popular with modern day readers and performed on stage and film to great acclaim. This student edition contains a completely new introduction by Stephen Guy-Bray, and offers students a useful and lively overview of recent criticism, an updated performance history paying greater attention to Derek Jarman's film, a background on the author and themes, as well as an updated bibliography and a fully annotated version of the playtext.
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