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  • av Claudia Piñeiro
    155,-

    After Rita is found dead in a church she used to attend, the official investigation into the incident is quickly closed. Her sickly mother is the only person still determined to find the culprit. Chronicling a difficult journey across the suburbs of the city, an old debt and a revealing conversation, Elena Knows unravels the secrets of its characters and the hidden facets of authoritarianism and hypocrisy in our society.

  • av Claudia Piñeiro
    168,-

    Life after crime from the International Booker-shortlisted author of Elena KnowsFifteen years after killing her husband's lover, Inés is fresh out of prison and trying to put together a new life. Her old friend Manca is out now too, and they've started a business - FFF, or Females, Fumigation, and Flies - dedicated to pest control and private investigation, by women, for women. But Señora Bonar, one of their clients, wants Inés to do more than kill bugs--she wants her expertise, and her criminal past, to help her kill her husband's lover, too. Crimes against women versus crimes by women; culpability, fallibility, and our responsibilities to each other--this is Piñeiro at her wry, earthy best, alive to all the ways we shape ourselves to be understandable, to be understood, by family and love and other hostile forces.

  • av Claudia Piñeiro
    195,-

  • av Claudia Piñeiro
    131,-

    Pablo Borla's marriage is reduced to confrontations with his wife over their daughter's rebellious ways and his firm builds only repellent office blocks destroying the fabric of old Buenos Aires. It all changes with the arrival of a young woman who brings to light a murder committed decades ago by those in his office. A murder everyone assumed was forgotten.Claudia Pieiro, after working as a professional accountant, became a journalist, playwright and television scriptwriter and in 1992 won the prestigious Plyade journalism award. She has more recently turned to fiction; All Yours (finalist for the 2003 Planeta Prize) and Thursday Night Widows.

  • av Claudia Piñeiro
    149,-

    Praise for Claudia Pieiro's Thursday Night Widows:"e;An agile novel, a ruthless dissection of a fast decaying society.Jos Saramago, winner of the Nobel Prize for LiteratureA gripping story. The dystopia portrayed is an indictment not solely of an assassin but of Argentinas class structure and the willful blindness of its petty bourgeoisie.The Times Literary Supplement A fine morality tale which explores the dark places societies enter when they place material comfort before social justice, and security before morality.Publishers WeeklyInes is convinced that every wife is bound to be betrayed one day, so she is not surprised to find a note in her husband Ernestos briefcase with a heart smeared in lipstick crossed by the words All Yours and signed, Your true love.She follows him to a park on a rainy winter evening and witnesses a violent quarrel he has with another woman. The woman collapses; Ernesto sinks her body in a nearby lake. When Ernesto becomes a suspect in the case she provides him with an alibi. After all, hatred can bring people together as urgently as love. But Ernesto cannot bring his sexual adventures to an end, so Ines concocts a plan for revenge from which there is no return.Claudia Pieiro, formerly a journalist and playwright, is the author of literary crime novels that are all bestsellers in Latin America and have been translated into six languages. All Yours follows on the success of Thursday Night Widows, published in 2010 in the United States.

  • av Claudia Piñeiro
    115,-

    "e;An agile novel written in a language perfectly pitched for the subject matter, a ruthless dissection of a fast decaying society"e;Jose Saramago, Nobel Prize winnerThe English translation of hit novel Las Viudas de Los Jueves!';Pieiro's clever U.S. debut.. . illuminates the hypocrisies of the country's upper classes after 9/11.'Publishers Weekly';Pieiro is particularly skilful at exposing the social forces undermining Argentine society, and the fragility of personal relationships. We learn the surprising truth of the three men's death in the final chapter; the build-up to it is riveting.'The Times (London)"e;Pieiro builds up tension through banal, domestic details and the accretion of despair in everyday marital and professional struggles. There may be bloody murder at the centre of this novel, but the dystopia portrayed is an indictment not solely of an assassin but of Argentina's class structure and the willful blindness of its petty bourgeoisie."e;Times Literary Supplement';A razor-sharp psychological and social portrait not only of Argentina, but of the afluent Western world as a whole.'Rosa MonteroThree bodies lie at the bottom of a swimming pool in a gated country estate near Buenos Aires. It's Thursday night at the magnificent Scaglia house. Behind the locked gates, shielded from the crime, poverty, and filth of the people on the streets, the Scaglias and their friends hide lives of infidelity, alcoholism, and abusive marriage. Claudia Pieiro's novel eerily foreshadowed a criminal case that generated a scandal in the Argentine media. But this is more than a story about crime. The suspense is a byproduct of Pieiro's hand at crafting a psychological portrait of a professional class that lives beyond its means and leads secret lives of deadly stress and despair. It takes place during the post-9/11 economic meltdown in Argentina, but it is a universal story that will resonate among credit-crunched readers of today.The film of Thursday Night Widows, by Argentine New Wave and award-winning director Marcelo Pieyro is coming soon with trailers available online.Claudia Pieiro was a journalist, playwright, and television scriptwriter and in 1992 won the prestigious Pleyade Annual Journalism Award. She has more recently turned to fiction and is the author of literary crime novels that are all bestsellers in Latin America and have been translated into four languages. This novel won the Clarin Prize for fiction and is her first title to be available in English.

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