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Banned soon after its first midnight screenings, Jack Smith's incendiary Flaming Creatures (1963) quickly became a cause celebre of the New York underground. This study of Smith's magnum opus explores its status as a cult film that appropriates the visual texture, erotic nuance, and overt fabrication of old Hollywood exoticism.
An introduction to some of the issues and concerns arising from the concept of film remaking.
Australian International Pictures examines the concept and definition of Australian film in relation to a range of local, international and global practices and trends that blur neat categorisations of national cinema. Although international co-production is particularly acute in the present day, this book examines the porous nature of Australian International filmmaking, and the intriguing transnational and cross-cultural formations created by globally targeted but locally focussed films made in Australia in the period 1946-75.
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