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"Call this mutiny is the seventh book from award-winning and internationally-renowned Pacific Islander author Craig Santos Perez. These poems were originally published in journals and anthologies between 2008-2023, but this is the first time they have been collected into a single volume. Throughout, Perez continues his critical exploration of native cultures, decolonial politics, colonial histories, and the entangled ecologies of his homeland of Guam, his current residence of Hawai°i, and the larger Pacific region in relation to the Global South and the Indigenous Fourth World. As he reminds us about the power of storytelling: 'If we can write the ocean, we will never be silenced.'"--
"This book is the fifth collection in Craig Santos Perez's ongoing from unincorporated territory series about the history of his homeland, the western Pacific island of Guêahan (Guam), and the culture of his indigenous Chamoru people. "êAmot" is the Chamoru word for "medicine," and commonly refers to medicinal plants. Traditional healers were known as yo'êamte, and they gathered êamot in the jungle, and recited chants and invocations of taotao'mona, or ancestral spirits, in the healing process. Through experimental and visual poetry, Perez explores how storytelling can become a symbolic form of êamot, offering healing from the traumas of colonialism, militarism, migration, environmental injustice, and the death of elders"--
The first installment in the Chamorro poet's series on the history, ecology, and mythology of Guam
Extending beyond lyric, narrative, documentary, dramatic monologue, this text invites and incites, violates and revitalizes our awareness of what frames our relationship to culture, community, self
Using a replica of the native Chamorros' outrigger boats as his figurative vessel, this title explores the personal, historical, cultural, and natural elements of the poet's native Guam.
"Native Pacific Islander writer Craig Santos Perez has crafted a timely collection of eco-poetry comprised of free verse, prose, haiku, sonnets, satire, and a form he calls "recycling." Habitat Threshold begins with the birth and growth of the author's daughter and captures her childlike awe at the wondrous planet. As the book progresses, however, Perez confronts the impacts of environmental injustice, global capitalism, toxic waste, animal extinctions, water struggles, human violence, mass migration, and climate change. Throughout, Perez mourns lost habitats and species and faces his fears about the world his daughter will inherit. Yet this work does not end at the threshold of elegy; instead, the poet envisions a sustainable future in which our ethics are shaped by the indigenous belief that the earth is sacred and all beings are interconnected--a future in which we cultivate love and "carry each other towards the horizon of care.""--
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