Bøker av Daniel Bodi

Following Daniel Bodi's previous monographs on the three wives of King David-Michal, Bathsheba and Abigail-here is a fourth one on Abishag, the last woman in his life. It has not been recognized before how decisive a role she played as a palace administrator in David's final political crisis, Adonijah's coup d'état, and Solomon's proclamation as king. Hitherto, Abishag has been given androcentric readings. Her position as administrator has been demoted to that of a mere housekeeper, bedfellow or even hot-water bottle. Some rabbinic authors transformed her into an androgynous being, claiming an intersex person warms better than a young female virgin. In fact, the term for Abishag's office as s¿kenet is nothing but the feminine form of s¿ken 'palace steward', a well-known functionary across the Semitic world. Much more than a simple housekeeper, Abishag wields administrative power with a legal role as a witness in Solomon's appointment. Exploring further the role of women at royal courts, Bodi also offers a comparative analysis of the famous queens who played a role in the royal succession as kings' mothers in Egypt, Mari, Hatti, Ugarit and Assyria. Solomon's appointment as David's successor results from a palace putsch, executed with cunning and craftiness, which are to be understood as archaic forms of wisdom in the Hebrew Bible, classical Greece and the ancient Near East. The stories of David's wives-and of Abishag-together form a Hebrew document in the style of an Advice to a Prince. An interesting comparison is drawn between David's four wives and the four females Odysseus encounters in Homer's Odyssey: Circe, Calypso, Nausicaa and Penelope. Strikingly, the Hebrew version of the Advice to a Prince and the Homeric Epic were being written at roughly the same time, the end of the eighth century bce.

This fresh approach to the story of Michal, daughter of Saul and wife of David, juxtaposes three quite different interpretative methods: narratological, historical, and history of traditions. In his first chapter Bodi offers a subtle political reading of the Michal story, bringing to the fore the power-struggle between Saul and David that forms its main intrigue. Michal's personal tragedy foreshadows that of the Israelite monarchy and prefigures its end. It is a unique phenomenon in ancient Near Eastern literature that the story of a woman should serve as a means of criticizing the abuses of the monarchy and deconstructing the royal ideology. The second chapter compares the daughters of Saul and the daughters of Zimri-Lim. This eighteenth-century BCE tribal king of Mari offered his two daughters Kirum and Shimatum to the same vassal in order to be able to spy on him. Saul seems to have done something similar with his daughters Merab and Michal, both offered to David. The unhappy marriage of Kirum ended in divorce. Although the announcement of the divorce was made by her husband in a public ceremony, it was prompted by the royal princess-the first example of a divorce initiated by a woman in ancient Near Eastern texts. The third chapter explores a rich variety of rabbinic interpretations of key moments in the Michal story. Important and often little known observations are drawn from both the Talmuds and from midrashic works such as Abrabanel and anthologies like Midrash Rabbah, Yalqut Shimoni, Meam Loez and Malbim, together with the comments by Rashi and Qimhi. Both the narratological investigation and the rabbinic interpretations point to David's guilt during his dance in front of the ark. The rabbis indeed attributed the exile of the nation to David's misdeeds. A careful reading of the biblical texts dealing with the figure of David in his relationship with his first wife Michal reaches the same conclusion: He is not exactly the man he pretends to be.

Many today find the Old Testament a closed book. The cultural issues seem insurmountable and we are easily baffled by that which seems obscure. Furthermore, without knowledge of the ancient culture we can easily impose our own culture on the text, potentially distorting it. This series invites you to enter the Old Testament with a company of guides, experts that will give new insights into these cherished writings. Features include * Over 2000 photographs, drawings, maps, diagrams and charts provide a visual feast that breathes fresh life into the text. * Passage-by-passage commentary presents archaeological findings, historical explanations, geographic insights, notes on manners and customs, and more. * Analysis into the literature of the ancient Near East will open your eyes to new depths of understanding both familiar and unfamiliar passages. * Written by an international team of 30 specialists, all top scholars in background studies.