Bøker av David Bindman

This volume contains every page of Blake's 20 or so illuminated books, reproduced in facsimile. It features his great prophetic poems, for example, "Jersualem" and "Songs of Innocence and of Experience".

The last volume in The Image of the Black in Western Art marks a shift by focusing on representation of blacks by black artists in the West. It takes on migration in the U.S and globalization, Negritude and cultural hybridity, black artists' relationship with European traditions and experimentation, as well as photography, jazz and activism.

A timely and revealing look at the intertwined histories of science, art, and racism. 'Race Is Everything' explores the spurious but influential ideas of so-called racial science in the nineteenth and the first half of the twentieth centuries, and how art was affected by it. David Bindman looks at race in general, but with particular concentration on attitudes toward and representations of people of African and Jewish descent. He argues that behind all racial ideas of the period lies the belief that outward appearance--and especially skull shape, as studied in the pseudoscience of phrenology--can be correlated with inner character and intelligence, and that these could be used to create a seemingly scientific hierarchy of races. The book considers many aspects of these beliefs, including the skull as a racial marker; ancient Egypt as a precedent for Southern slavery; Darwin, race, and aesthetics; the purported "Mediterranean race"; the visual aspects of eugenics; and the racial politics of Emil Nolde.

Referred to as "the dean of Philadelphia painters," Larry Day (1921-1998) was a dominant force in American art from the 1950s through the 1990s, as well as a dynamic teacher and mentory. Body Language is the first full catalog devoted to the breadth and range of his work.

The role of race and ethnicity in global humor

Focusing on the aesthetic concerns of the two most important sculptors of the early 19th century, the Italian sculptor Antonio Canova (1757-1822) and his Danish rival Bertel Thorvaldsen (1770-1844), this book considers: the aesthetic autonomy of works of art, the gender of the subject, and the efficacy of marble as an imitative medium.

This is a study of the 18th-century sculptor Louis Francois Roubiliac. His most important work takes the form of monuments seen in Westminster Abbey and in churches throughout the country. The book examines his style in the light of the social and religious conditions of his time.

'Race' was essentially a construction of the 18th century, a means by which the Enlightenment could impose rational order on human variety. This title argues that ideas of beauty were from the beginning inseparable from race, as Europeans judged the civility and aesthetic capacity of other races by their appearance.