Bøker av David Dawson

Lucian Freud's arresting self-portraits provide an insight into the enigmatic artist's psyche and document his developing style and this book reproduces all of Freud's self-portraits

The first serious study on the paintings of the female icon and one of the most celebrated British artists, Tracey Emin Tracey Emin CBE is known for her frank, confessional style and for transforming her inner world into intimate works of art. She has become one of the most celebrated artists in the world, a household name, and part of the Art establishment. Her practice includes painting, drawing, film, photography, sewn appliqué, sculpture, and neon, but in recent years she has focused on painting. Inspired by artists Egon Schiele and Edvard Munch, her paintings are provocative, confrontational, and vulnerable. They are at once deeply personal and universal, and it's for this reason her work is revered around the world, and she has become an international icon. The book features more than 300 images of Emin's gestural and expressive figurative paintings, from the 1990s to today, as well as a conversation with close friend David Dawson and an essay by Australian writer Jennifer Higgie. Made in close collaboration with the artist, this special book is the first publication dedicated to Emin's emotive paintings and showcases her soulful work like never before.

Formulation is the theory-driven methodology used by psychological practitioners to guide their clinical work. This volume presents multiple psychological formulations of a single clinical case, written by psychologists embedded in clinical training, research, and practice.

Essays on the development of the post-medieval house, its contents and decoration.During the last forty years, South-West England has been the focus of some of the most significant work on the early modern house and household in Britain. Its remarkable wealth of vernacular buildings has been the object of muchattention, while the area has also seen productive excavations of early modern household goods, shedding new light on domestic history. This collection of papers, written by many of the leading specialists in these fields, presents a number of essays summarizing the overall understanding of particular themes and places, alongside case studies which publish some of the most remarkable discoveries. They include the extraordinary survival of wall-hangings in a South Devon farm, the discovery of painted rooms in an Elizabethan town house, and a study of a table-setting mirrored on its ceiling. Also considered are forms of decoration which seem specific to particular areas of the West Country houses. Taken together, the papers offer a holistic view of the household in the early modern period. John Allan is Consultant Archaeologist to the Dean & Chapter of Exeter Cathedral; Nat Alcock is EmeritusReader in the Department of Chemistry, University of Warwick; David Dawson is an independent archaeologist and museum and heritage consultant. Contributors: Ann Adams, Nat Alcock, John Allan, James Ayres, Stuart Blaylock, Peter Brears, Tania Manuel Casimiro, Cynthia Cramp, Christopher Green, Oliver Kent, Kate Osborne, Richard Parker, Isabel Richardson, John Schofield, Eddie Sinclair, John R.L. Thorp, Hugh Wilmott,

This book makes an illuminating contribution to one of Christianity's central problems: the understanding and interpretation of scripture, and more specifically, the relationship between the Old Testament and the New. John David Dawson analyzes the practice and theory of "e;figural"e; reading in the Christian tradition of Biblical interpretation by looking at writings of Jewish and Christian thinkers, both ancient and modern, who have reflected on that form of traditional Christian Biblical interpretation. Dawson argues Christian interpretation of Hebrew scripture originally was, and should be, aimed at not reducing the Jewish meaning or replacing it but rather at building on it or carrying on from it. Dawson closely examines the work of three prominent twentieth-century thinkers who have offered influential variants of figural reading: Biblical scholar Daniel Boyarin, philologist and literary historian Erich Auerbach, and Christian theologianHans Frei. Contrasting the interpretive programs of these modern thinkers to that of Origen of Alexandria, Dawson proposes that Origen exemplifies a kind of Christian reading that can respect Christianity's link to Judaism while also respecting the independent religious identity of Jews. Through a fresh study of Origen's allegorical interpretation, this book challenges the common charge that Christian non-literal reading of scripture necessarily undermines the literal meaning of the text. This highly interdisciplinary work will advance debates about different methods of interpretation and about different types of textual meaning that are relevant for many disciplines, including ancient Christianity, Jewish and Christian thought, literary theory, religious studies, and classical studies.

Describes how some ancient pagan, Jewish, and Christian interpreters used allegory to endorse, revise, and subvert competing Christian and pagan world views. This book presents three Hellenistic religious writers who each typify distinctive models of allegorical interpretation: Philo, Valentinus, and Clement.