Gjør som tusenvis av andre bokelskere
Abonner på vårt nyhetsbrev og få rabatter og inspirasjon til din neste leseopplevelse.
Ved å abonnere godtar du vår personvernerklæring.Du kan når som helst melde deg av våre nyhetsbrev.
After the end studies the enduring legacy of Cold War culture in current debates and concerns around risk, security, borders, environmental justice, inequality, and apocalypse. The chapters trace this legacy from the ideologies of survivalism through global fantasies of bunkering from Switzerland and Alban to Taiwan and India to current imaginings of post-apocalyptic worlds. Pike argues that the real and imagined spaces of sheltering continue to inform in foundational and often unrecognized ways; not only in cultural forms such as literature, film, comics, music, and the built environment, but also policy and political formulations. The book documents the ways the Cold War affected its primary antagonists and how the rest of the world processed the fallout of this antagonism. It surveys the fate of Cold War fortifications and shelters as they are repurposed for twenty-first century needs. After the end shows how counter-visions appropriating those same apocalyptic forms have emerged from the global South and from marginalized populations within the U.S. and elsewhere to challenge the lingering verities of the Cold War years.
In Metropolis on the Styx, David L. Pike considers how underground spaces and their many myths have organized ways of seeing, thinking about, and living in the modern city. Expanding on the cultural history of underground construction in his acclaimed...
Taking the culturally resonant motif of the descent to the underworld as his guiding thread, David L. Pike traces the interplay between myth and history in medieval and modernist literature. Passage through Hell suggests new approaches to the practice...
Making a significant advance in the study of the film industry of the period, Canadian Cinema since the 1980s is also an ideal text for students, researchers, and Canadian film enthusiasts.
The underground has been a dominant image of modern life since the late eighteenth century. A site of crisis, fascination, and hidden truth, the underground is a space at once more immediate and more threatening than the ordinary world above. In...
Abonner på vårt nyhetsbrev og få rabatter og inspirasjon til din neste leseopplevelse.
Ved å abonnere godtar du vår personvernerklæring.