Bøker av Deirdre Kelly

"John, Paul, George, and Ringo were more than great musicians: they were the quintessential fashion icons of one of the most exciting and memorable fashion eras of all time. From their starts in black leather through Sergeant Pepper to Nehru collars and psychedelia, the Beatles used clothing to express their individual and group identities and, especially, to grow their following. They did it without benefit of stylists or consultants, making their own rules and changing their looks as many as five times a year to keep a few steps ahead of the crowd in the tumultuous, fashion-obsessed sixties. More than fifty years after their break-up, their style continues to animate the collections of some of the world's leading designers, including Thom Browne, John Varvatos, Anna Sui, Tom Ford, Gucci's Alessandro Michele and, yes, Stella McCartney. Fashioning the Beatles, the first in-depth look at their sartorial legacy, demonstrates that their inimitable style was not an incidental by-product of their fame but an integral part of their act and a key to their globe-spanning success."--

Throughout her history, the ballerina has been perceived as the embodiment of beauty and perfection - she is the feminine ideal. But the reality is another story. Beginning with the earliest ballerinas, who often led double lives as concubines, Deirdre Kelly goes on to review the troubled lives of 19th-century ballerinas, who lived in poverty and worked under torturous and even life-threatening conditions. In the 20th century, George Balanchine created a contradictory ballet culture that simultaneously idealized and oppressed ballerinas, and many of his dancers suffered from anorexia and bulimia or underwent cosmetic surgery to achieve the ideal ethereal form. At the beginning of the 21st century, ballerinas are still underpaid, vulnerable to arbitrary discrimination and dismissal, and expected to bear pain stoically - but much of this is beginning to change. As Kelly examines the lives of some of the world's best ballerinas, she argues for a rethinking of the world's most graceful dance form - a rethinking that would position the ballerina at its heart, where she belongs. Highlighting the work of such great ballerinas such as Anna Pavlova, Isadora Duncan, Suzanne Farrell, Gelsey Kirkland, and Evelyn Hart Kelly illustrates how the world of ballet is slowly evolving.