Bøker av Dennis R. MacDonald

The impetus for this collection of essays on canonical and non-canonical Acts is to honor the scholarly achievements of Richard I. Pervo. Pervo pioneered the view that canonical Acts is comparable to ancient fiction - the various episodes about Peter, Paul, and the other apostles composed to entertain, even as they inform. In the spirit of this work, contributors prod and provoke readers, traveling at different speeds and with notable variation from the center of the broad orbit of canonical Acts. The hope is that the essays foster conversation about the things discussed, offering no small measure of delight along the way. Contributors:Harold W. Attridge, Clayton N. Jefford, Amy-Jill Levine, Dennis R. MacDonald, Troy W. Martin, Shelly Matthews, David Moessner, Mikeal C. Parsons, Mark Reasoner, Clare K. Rothschild, Melissa Harl Sellew, Janet E. Spittler, Angela Standhartinger

In this book MacDonald guides his reader through Luke-Acts from beginning to end to identify and interpret the author's imitations of classical Greek poetry, arguing that Luke's two-volume work was a prose epic to provide his readers with a foundation myth for the new social reality that the Christian Church had become.

In this book, Dennis R. MacDonald argues that the intertextuality of the Synoptic Gospels is best explained not as the redaction of sources but more flexibly as the imitation of literary texts, such as the Iliad and the Odyssey.

With characteristic boldness and careful reassessment of the evidence, MacDonald offers an alternative reconstruction of Q and an alternative solution to the Synoptic Problem: the Q+/Papias Hypothesis. To do so, he reconstructs and interprets two lost books about Jesus: the earliest Gospel, which was used as a source by the authors of Mark, Matthew, and Luke; and the earliest commentary on the Gospels, by Papias of Hierapolis, who apparently knew Mark, Matthew, and the lost Gospel, which he considered to be an alternative Greek translation of a Semitic Matthew. MacDonald also explores how these two texts, well known into the fourth century, shipwrecked with the canonization of the New Testament and the embarrassment at outmoded eschatologies in both the lost Gospel and Papias s Exposition.

"Those who eat my flesh and drink my blood abide in me, and I in them." Dennis R. MacDonald offers a provocative explanation of those scandalous words of Christ from the Fourth Gospel--an explanation that he argues would hardly have surprised some of the Gospel's early readers. John sounds themes that would have instantly been recognized as proper to the Greek god Dionysos (the Roman Bacchus), not least as he was depicted in Euripides's play The Bacchae. A divine figure, the offspring of a divine father and human mother, takes on flesh to live among mortals but is rejected by his own. He miraculously provides wine and offers it as a sacred gift to his devotees, women prominent among them, dies a violent death--and returns to life. Yet John takes his drama in a dramatically different direction: while Euripides's Dionysos exacts vengeance on the Theban throne, the Johannine Christ offers life to his followers. MacDonald employs mimesis criticism to argue that the earliest evangelist not only imitated Euripides but expected his readers to recognize Jesus as greater than Dionysos.

These two volumes are the magnum opus of biblical scholar Dennis R. MacDonald, outlining the profound connections between the New Testament and classical Greek poetry. MacDonald argues that the Gospel writers borrowed from established literary sources to create stories about Jesus that readers of the day would find convincing.

These two volumes are the magnum opus of biblical scholar Dennis R. MacDonald, outlining the profound connections between the New Testament and classical Greek poetry. MacDonald argues that the Gospel writers borrowed from established literary sources to create stories about Jesus that readers of the day would find convincing.