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The remarkable story of Margaret Paston, whose letters form the most extensive collection of personal writings by a medieval English woman.Drawing on what is the largest archive of medieval correspondence relating to a single family in the UK, God''s Own Gentlewoman explores what everyday life was like during the turbulent decades at the height of the Wars of the Roses. From political conflicts and familial in-fighting; forbidden love affairs and clandestine marriages; bloody battles and sieges; fear of plague and sudden death; friendships and animosity; childbirth and child mortality, Margaret''s letters provide us with unparalleled insight into all aspects of life in late medieval England.Diane Watt is a world expert on medieval women''s writing, and God''s Own Gentlewoman explores how Margaret''s personal archive provides an insight into her activities, experiences, emotions and relationships and the life of a medieval woman who was at times absorbed by the mundane and domestic, but who also found herself caught up in the most extraordinary situations and events.
The Paston letters viewed in the context of medieval women's writing and medieval letter writing.
An exploration of the relations between medical and religious discourse and practice in medieval culture, focussing on how they are affected by gender.
This volume focuses on women's literary history in Britain between 700 and 1500. It brings to the fore a wide range of women's literary activity undertaken in Latin, Welsh and Anglo-Norman alongside that of the English vernacular, demanding a rethinking of the traditions of literary history, and ultimately the concept of 'writing' itself.
Gower wrote his vernacular poem Confessio Amantis at the same time as Chaucer embarked on The Canterbury Tales . It is therefore not overly surprising that Gower's poem is far less known today than Chaucer's. This study seeks to reinstate Confessio Amantis to its rightful place in the history of English literature by examining its ethics.
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