Bøker av Die Neue Sammlung - The Design Museum

Hollow goose eggs, natural sponges, packaging, balloons featuring smileys, shoe soles, scientific gauges, or even his mother's gallstones-the repertoire of things elevated to jewelry objects knows no bounds for the Norwegian artist Sigurd Bronger. His "portable objects" are turned into wearables by means of artful hanging mechanisms. For Bronger, jewelry is a means of communication. The questions he poses with his works relate to function and use, decoration, aesthetic, and beauty, and his works invite us to see things anew: does the beautiful really have to be useless and the practical aesthetically uninteresting? Through the witty yet subtle cosmos of this extraordinary artist, our own "world of things" is becoming a good deal greater.

Her material is silver, not gold, with a vernacular created from the classical canon of fundamental forms. The Archaic aspect of her work conveys peace and power-not to be mistaken for coolness and distance. The fast pace of living today grinds to a halt when observing her works, when sensing the cautious, tentative way of communicating that allows us to discover an emotional depth, the joyful, the radiant, but also the vulnerable side of the artist ... and ultimately of ourselves. These are the jewelry objects by Therese Hilbert, the Swiss-born former student of Max Fröhlich in Zurich and Hermann Jünger in Munich.One needs to take the time to sense all the tenderness, as well as the irrepressible force, held within her jewelry. The volcano theme has therefore also played a decisive role in her work since the 1990s.