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In his many years as a Commissario, Guido Brunetti has seen all manner of crime and known intuitively how to navigate the various pathways in his native Venice to discover the person responsible.
When several valuable antiquarian books go missing from a prestigious library in the heart of Venice, Commissario Brunetti is immediately called to the scene. The staff suspect an American researcher has stolen them, but for Brunetti something doesn't quite add up.
A suspicious accident draws Brunetti into Venice's underworld - with unintended, disturbing consequences... A few weeks later, Tullio Gasparini, the woman's husband, is found unconscious with a serious head injury at the foot of a bridge, and Brunetti is drawn to pursue a possible connection to the boy's behaviour.
In Death at La Fenice, Donna Leon s first novel in the Commissario Brunetti series, readers were introduced to the glamorous and cut-throat world of opera and to one of Italy s finest living sopranos, Flavia Petrelli then a suspect in the poisoning of a renowned German conductor. Now, many years after Brunetti cleared her name, Flavia has returned to the illustrious La Fenice to sing the lead in Tosca.As an opera superstar, Flavia is well acquainted with attention from adoring fans and aspiring singers. But when one anonymous admirer inundates her with bouquets of yellow roses on stage, in her dressing room and even inside her locked apartment it becomes clear that this fan has become a potentially dangerous stalker. Distraught, Flavia turns to an old friend for help. Familiar with Flavia s melodramatic temperament, Commissario Brunetti is at first unperturbed by her story, but when another young opera singer is attacked he begins to think Flavia s fears may be justified. In order to keep his friend out of danger, Brunetti must enter the psyche of an obsessive fan and find the culprit before anyone comes to harm.
Caterina Pellegrini is a young Venetian musicologist hired to find the rightful heir to an alleged treasure concealed by a once-famous, but now almost forgotten, baroque composer. Sworn to secrecy, Caterina can solve the mystery only by searching through the papers contained in two chests that have not been opened for centuries.
When Anna Maria Giusti returns from holiday to find her elderly neighbour Constanza Altavilla dead, with blood on the floor near her head, she immediately alerts the police. Commissario Brunetti is called to the scene and it seems the woman has suffered a fatal heart attack.
Neither Commissario Brunetti nor his wife Paola have ever had much sympathy for the Italian armed forces, so when a young cadet is found hanged, at Venice's elite military academy, Brunetti's emotions are complex. But as Brunetti - and the indispensable Signorina Elettra - investigate further, no one seems willing to talk.
For Commissario Guido Brunetti it began with an early morning phone call. A sudden act of vandalism has just been committed in the chill Venetian dawn, a rock thrown in anger through the window of a building in the deserted city. But soon Brunetti finds out that the perpetrator is no petty criminal intent on some annoying anonymous act.
Then something very incriminating is discovered in the dead man's flat - something which points to the existence of a high-level cabal - and Brunetti becomes convinced that somebody, somewhere, is taking great pains to provide a ready-made solution to the crime ...
An engaging collection of stories and essays by the celebrated author of the internationally bestselling Guido Brunetti series, infused with her ever-present and delightful senses of humor and ironyDonna Leon's memoir, Wandering Through Life, gave her legions of fans a colourful tour through her life, from childhood in New Jersey to adventures in China and Iran, to her love of Venice and opera. Nowhere, however, did she discuss her writing life.In Backstage, Donna reveals her admiration for, and inspiration from, the great crime novelists Ruth Rendell and Ross Macdonald, examining their approach to storytelling as she dissects her favorite books of theirs. She expresses her love for Charles Dickens' Great Expectations and her appreciation of Sir Walter Scott's generosity of spirit. And she chronicles the lengths amount of research she undertakes to be able to present authentically, through Guido Brunetti and his colleagues, places and characters far from her own experience: interviewing a diamond dealer in Venice to open up the world of blood diamonds; meeting, through back channels, a courageous sex worker and women's rights activist to depict accurately the trafficking of women in Italy.Venice is central in her memory, whether recounting the semi-comic irritation of a noisy elderly neighbor or the origins of the city's Carnevale. Her teaching career yields memorable tales: helping a young Black boy in a Newark, New Jersey elementary school; instructing young Iranian pilots in English just before the 1979 Iranian Revolution; taking her students at a Swiss private high school to the famous Frank Zappa concert in Montreux interrupted by fire.Throughout, she is as good a storyteller about herself as she is a chronicler of Guido Brunetti's crime adventures. Readers will be as caught up in her world as she is in his.
Commissario Guido Brunetti returns with a gripping and powerful case about the murkiness of power and a test of loyaltiesWhen two teenage gangs are arrested after clashing violently in one of Venice's campi, the son of a local hero is implicated. But when Commissario Guido Brunetti is asked by a wealthy foreigner to vet this man, Monforte, for a job, he discovers that Monforte might not be such a hero after all.This seeming contradiction, and a brutal attack on one of Brunetti's colleagues by a possible gang member, concentrate Brunetti's attentions. Soon, he discovers the sordid hypocrisy surrounding Monforte's past, culminating in a fiery meeting of two gangs and a final opportunity for redemption.A Refiner's Fire is Donna Leon at her very best: an elegant, sophisticated storyteller whose indelible characters become richer with each book, and who constantly interrogates the ambiguity between moral and legal justice.
Having recently celebrated her eightieth birthday, Leon now confronts the dual challenges and pleasures of aging, whilst looking back on her adventurous life. Complete with a brief letter dissuading those hoping to meet Guido Brunetti at the Questura, and always suffused with music, food, and her fierce sense of humour.
"A gripping first mystery, as beguiling and secretly sinister as Venice herself. Sparkling and irresistible." -- Rita Mae BrownThe first book in the internationally bestselling Guido Brunetti detective series in which a high society murder leads Guido to investigate the darker side of beautiful Venice.There is little violent crime in Venice, a serenely beautiful floating city of mystery and magic, history and decay. But the evil that does occasionally rear its head is the jurisdiction of Guido Brunetti, the suave, urbane vice-commissario of police and a genius at detection. Now all of his admirable abilities must come into play in the deadly affair of Maestro Helmut Wellauer, a world-renowned conductor who died painfully from cyanide poisoning during an intermission at La Fenice.But as the investigation unfolds, a chilling picture slowly begins to take shape--a detailed portrait of revenge painted with vivid strokes of hatred and shocking depravity. And the dilemma for Guido Brunetti will not be finding a murder suspect, but rather narrowing the choices down to one.
In The Waters of Eternal Youth, the twenty-fifth instalment in the bestselling Brunetti series, our Commissario finds himself drawn into a case that may not be a crime at all.
SHORTLISTED FOR THE GOLD DAGGER AWARDThe latest bestselling Venice crime novel from celebrated author Donna LeonAs a favour to his wealthy father-in-law, the Count Falier, Commissario Guido Brunetti agrees to investigate the seemingly innocent wish of the Count's best friend, the elderly and childless Gonzalo, to adopt a younger man as his son.
In Death at La Fenice, Donna Leon's first novel in the Commissario Brunetti series, readers were introduced to the glamorous and cut-throat world of opera and to one of Italy's finest living sopranos, Flavia Petrelli - then a suspect in the poisoning of a renowned German conductor.
Granted leave from the Questura, Commissario Guido Brunetti decides to finally take a well-earned break and visit Sant'Erasmo, one of the largest islands in the Venetian laguna.
When a body is found floating in a canal, strangely disfigured and with multiple stab wounds, Commissario Brunetti is called to investigate and is convinced he recognises the man from somewhere.
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