Bøker av Dorothy Parker

What can you say, when a man asks you to dance with him? I most certainly will not dance with you. I'll see you in hell first. Why, thank you, I'd like to awfully, but I'm having labor pains.Acerbic, pithy and vibrant, Dorothy Parker's writings capture the dizzying decadence of Jazz Age New York. Though Parker refuses to be swept along: she gleefully deconstructs its hypocrisy, prejudice and taboos with style and precision.

An irresistible hardcover collection of the famous humourist's poems that range from light-hearted satire to gleeful dark comedy One of the Jazz Age's most beloved poets, Dorothy Parker earned her reputation as the wittiest woman in America with her popular light verse, which was regularly published in Vanity Fair, Life, and The New Yorker. Her debut poetry collection, Enough Rope, was a runaway bestseller in 1926, and she followed it up in 1928 with the equally delightful collection Sunset Gun.

Dorothy Parker’s complete weekly New Yorker column about books and people and the rigors of reviewing.When, in 1927, Dorothy Parker became a book critic for the New Yorker, she was already a legendary wit, a much-quoted member of the Algonquin Round Table, and an arbiter of literary taste. In the year that she spent as a weekly reviewer, under the rupic “Constant Reader,” she created what is still the most entertaining book column ever written. Parker’s hot takes have lost none of their heat, whether she’s taking aim at the evangelist Aimee Semple MacPherson (“She can go on like that for hours. Can, hell—does”), praising Hemingway’s latest collection (“He discards detail with magnificent lavishness”), or dissenting from the Tao of Pooh (“And it is that word ‘hummy,’ my darlings, that marks the first place in The House at Pooh Corner at which Tonstant Weader Fwowed up”).Introduced with characteristic wit and sympathy by Sloane Crosley, Constant Reader gathers the complete weekly New Yorker reviews that Parker published from October 1927 through November 1928, with gimlet-eyed appreciations of the high and low, from Isadora Duncan to Al Smith, Charles Lindbergh to Little Orphan Annie, Mussolini to Emily Post

One of America's Greatest Wits!Published in 1926 Enough Rope was Parker's first collection of poetry. The collection sold very well and garnered impressive reviews. The Nation described it as "caked with a salty humor, rough with splinters of disillusion, and tarred with a bright black authenticity." The New York Times referred to it as "flapper verse," Enough Rope affirm Parker's reputation for sparkling wit

Dorothy Parker (née Rothschild; August 22, 1893 - June 7, 1967) was an American poet, writer, critic, and satirist based in New York; she was known for her wit, wisecracks, and eye for 20th-century urban foibles.From a conflicted and unhappy childhood, Parker rose to acclaim, both for her literary works published in magazines, such as The New Yorker, and as a founding member of the Algonquin Round Table. Following the breakup of the circle, Parker traveled to Hollywood to pursue screenwriting. Her successes there, including two Academy Award nominations, were curtailed when her involvement in left-wing politics resulted in her being placed on the Hollywood blacklist.Dismissive of her own talents, she deplored her reputation as a "wisecracker." Nevertheless, both her literary output and reputation for sharp wit have endured. Some of her works have been set to music; adaptations included the operatic song cycle Hate Songs by composer Marcus Paus. Parker inspired a number of fictional characters in several plays of her day. These included "Lily Malone" in Philip Barry's Hotel Universe (1932), "Mary Hilliard" (played by Ruth Gordon) in George Oppenheimer's Here Today (1932), "Paula Wharton" in Gordon's 1944 play Over Twenty-one (directed by George S. Kaufman), and "Julia Glenn" in the Kaufman-Moss Hart collaboration Merrily We Roll Along (1934). Kaufman's representation of her in Merrily We Roll Along led Parker, once his Round Table compatriot, to despise him. She also was portrayed as "Daisy Lester" in Charles Brackett's 1934 novel Entirely Surrounded. She is mentioned in the original introductory lyrics in Cole Porter's song "Just One of Those Things" from the 1935 Broadway musical Jubilee, which have been retained in the standard interpretation of the song as part of the Great American Songbook.Prince released "The Ballad of Dorothy Parker" in 1987; it was the first song recorded in his Chanhassen, Minnesota studio home. Those closest to him at the time suggest the association between the poet and the waitress by the same name in the song is a coincidence, but Dorothy Parker died on Prince's 9th birthday and chances are this brought her to his attention prior to writing the song.Parker is featured as a character in the novel The Dorothy Parker Murder Case by George Baxt (1984), in a series of Algonquin Round Table Mysteries by J. J. Murphy (2011- ), and in Ellen Meister's novel Farewell, Dorothy Parker (2013). She is the main character in "Love For Miss Dottie", a short story by Larry N Mayer, which was selected by writer Mary Gaitskill for the collection Best New American Voices 2009 (Harcourt).She has been portrayed on film and television by Dolores Sutton in F. Scott Fitzgerald in Hollywood (1976), Rosemary Murphy in Julia (1977), Bebe Neuwirth in Dash and Lilly (1999), and Jennifer Jason Leigh in Mrs. Parker and the Vicious Circle (1994). Neuwirth was nominated for an Emmy Award for her performance, and Leigh received a number of awards and nominations, including a Golden Globe nomination.The Wild Colonials song, "Vicious Circle" from Life As We Know It EP (2007) is about Dorothy Parker. The chorus lyrics are, "I know how Dorothy Parker felt with someone in her way."Television creator Amy Sherman-Palladino named her production company 'Dorothy Parker Drank Here Productions' in tribute to Parker.Tucson actress Lesley Abrams wrote and performed the one-woman show Dorothy Parker's Last Call in 2009 in Tucson, Arizona at the Winding Road Theater Ensemble. She reprised the role at the Live Theatre Workshop in Tucson in 2014. The play was selected to be part of the Capital Fringe Festival in DC in 2010. ...(wikipedia.org)

'She felt a cozy solidarity with the big company of the voluntary dead.'Wise-cracking and heartbreaking, these tales of women on the edge by the legendary wit Dorothy Parker show the darkness beneath the surface of the Jazz Age.Penguin Modern: fifty new books celebrating the pioneering spirit of the iconic Penguin Modern Classics series, with each one offering a concentrated hit of its contemporary, international flavour. Here are authors ranging from Kathy Acker to James Baldwin, Truman Capote to Stanislaw Lem and George Orwell to Shirley Jackson; essays radical and inspiring; poems moving and disturbing; stories surreal and fabulous; taking us from the deep South to modern Japan, New York's underground scene to the farthest reaches of outer space.

A collection of poems.