Bøker av Edgar Lee Masters

"Songs and Satires" by Edgar Lee Masters is a collection that resonates with the author's signature blend of lyrical expression and satirical wit. Published in the early 20th century, this compilation reflects Masters' versatility as a writer, showcasing his ability to navigate between poignant, melodic verses and biting, satirical commentary. In the songs, Masters channels his poetic prowess into verses that sing of the human condition, love, and the complexities of life. These lyrical compositions may carry the echoes of traditional songwriting, inviting readers to engage with the rhythm and harmony woven into the verses. Contrastingly, the satires within the collection reveal Masters' keen observations and sharp critique of societal norms, institutions, and human behavior. Through biting humor and clever wordplay, he dissects the follies and absurdities of the world around him, challenging readers to question and reflect.

As a soul from whom companionships subside The meaningless and onsweeping tide Of the river hastening, as it would disown Old ways and places, left this stone Of sand above the valley, to look down Miles of the valley, hamlet, village, town. It is a head-gear of a chief whose head, Down from the implacable brow, Waiting is held below The waters, feather decked With blossoms blue and red, With ferns and vines; Hiding beneath the waters, head erect, His savage eyes and treacherous designs. It is a musing memory and memorial Of geologic ages Before the floods began to fall; The cenotaph of sorrows, pilgrimages Of Marquette and LaSalle. The eagles and the Indians left it here In solitude, blown clean Of kindred things: as an oak whose leaves are sere Fly over the valley when the winds are keen, And nestle where the earth receives Another generation of exhausted leaves.

A collection of short stories that explore the lives of ordinary people in the midwestern United States. Written by Egar Lee Masters, this book is widely regarded as a classic of the American literary canon.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

The Fate of the Jury - An epilogue to Domesday Book is an unchanged, high-quality reprint of the original edition of 1929.Hansebooks is editor of the literature on different topic areas such as research and science, travel and expeditions, cooking and nutrition, medicine, and other genres. As a publisher we focus on the preservation of historical literature. Many works of historical writers and scientists are available today as antiques only. Hansebooks newly publishes these books and contributes to the preservation of literature which has become rare and historical knowledge for the future.

Mitch Miller, a classical book, has been considered important throughout the human history, and so that this work is never forgotten we at Alpha Editions have made efforts in its preservation by republishing this book in a modern format for present and future generations. This whole book has been reformatted, retyped and designed. These books are not made of scanned copies of their original work and hence the text is clear and readable.

Dieses klassische Buch wurde ursprünglich vor Jahrzehnten veröffentlicht als " The Great Valley ". Es wurde jetzt von Writat für seine deutschsprachigen Leser ins Deutsche übersetzt. Bei Writat liegt uns die Bewahrung des literarischen Erbes der Vergangenheit sehr am Herzen. Wir haben dieses Buch ins Deutsche übersetzt, damit es heutige und zukünftige Generationen lesen und bewahren können.

Spoon River Anthology (1915), by Edgar Lee Masters, is a collection of short free verse poems that collectively narrates the epitaphs of the residents of Spoon River, a fictional small town named after the Spoon River, which ran near Masters' home town of Lewistown, Illinois. The aim of the poems is to demystify rural and small town American life. The collection includes 212 separate characters, in all providing 244 accounts of their lives, losses, and manner of death. Many of the poems contain cross-references that create an unabashedly candid tapestry of the community. The poems originally were published in 1914 in the St. Louis, Missouri, literary journal Reedy's Mirror, under the pseudonym Webster Ford. Spoon River Anthology was a critical and commercial success. Ezra Pound's review of the Spoon River poems begins: "At last! At last America has discovered a poet." Carl Sandburg's review is similarly glowing: "Once in a while a man comes along who writes a book that has his own heart-beats in it. The people whose faces look out from the pages of the book are the people of life itself, each trait of them as plain or as mysterious as in the old home valley where the writer came from. Such a writer and book are realized here." The book sold 80,000 copies over four years, making it an international bestseller by the standards of the day.Meanwhile, those who lived in the Spoon River region objected to their portrayal in the anthology, particularly as so many of the poems' characters were based on real people. The book was banned from Lewistown schools and libraries until 1974. Even Masters's mother, who sat on the Lewistown library board, voted for the ban. (Masters claimed "My mother disliked [the anthology]; my father adored it.") Despite this, the anthology remained widely read in Lewistown; local historian Kelvin Sampson notes that "Every family in Lewistown probably had a sheet of paper or a notebook hidden away with their copy of the Anthology, saying who was who in town."Masters capitalized on the success of The Spoon River Anthology with the 1924 sequel The New Spoon River, in which Spoon River became a suburb of Chicago and its inhabitants have been urbanized. The second work was less successful and received poorer reviews. In 1933, Masters wrote a retrospective essay on the composition of The Spoon River Anthology and the response it received, entitled "The Genesis of Spoon River." He recounts, among other things, the "exhaustion of body" that befell him while writing, which eventually manifested in pneumonia and a year-long bout of illness as the work was being prepared for publication. He claims that the Lewistown residents who strove to identify the poems' characters with real people did so only "with poor success."More recently, Lewistown celebrated its relationship to Masters's poetry. The Oak Hill Cemetery features a memorial statue of Masters and offers a self-guided walking tour of the graves that inspired the poems. In 2015, the town celebrated the 100th anniversary of the anthology's publication with tours, exhibitions, and theatrical performances.Today Spoon River Anthology often is assigned in high school and college literature classes and as a source of monologues for theatrical auditions. It is also often used in second-year characterization work in the Meisner technique of actor training.Spoon River Anthology is credited as an initial inspiration for the "audio log" storytelling device in video games as it first appeared in the game System Shock, a narrative technique that became a standard trope of narrative games. (wikipedia.org)

Spoon River Anthology (1915), by Edgar Lee Masters, is a collection of short free verse poems that collectively narrates the epitaphs of the residents of Spoon River, a fictional small town named after the Spoon River, which ran near Masters' home town of Lewistown, Illinois. The aim of the poems is to demystify rural and small town American life. The collection includes 212 separate characters, in all providing 244 accounts of their lives, losses, and manner of death. Many of the poems contain cross-references that create an unabashedly candid tapestry of the community. The poems originally were published in 1914 in the St. Louis, Missouri, literary journal Reedy's Mirror, under the pseudonym Webster Ford. Spoon River Anthology was a critical and commercial success. Ezra Pound's review of the Spoon River poems begins: "At last! At last America has discovered a poet." Carl Sandburg's review is similarly glowing: "Once in a while a man comes along who writes a book that has his own heart-beats in it. The people whose faces look out from the pages of the book are the people of life itself, each trait of them as plain or as mysterious as in the old home valley where the writer came from. Such a writer and book are realized here." The book sold 80,000 copies over four years, making it an international bestseller by the standards of the day.Meanwhile, those who lived in the Spoon River region objected to their portrayal in the anthology, particularly as so many of the poems' characters were based on real people. The book was banned from Lewistown schools and libraries until 1974. Even Masters's mother, who sat on the Lewistown library board, voted for the ban. (Masters claimed "My mother disliked [the anthology]; my father adored it.") Despite this, the anthology remained widely read in Lewistown; local historian Kelvin Sampson notes that "Every family in Lewistown probably had a sheet of paper or a notebook hidden away with their copy of the Anthology, saying who was who in town."Masters capitalized on the success of The Spoon River Anthology with the 1924 sequel The New Spoon River, in which Spoon River became a suburb of Chicago and its inhabitants have been urbanized. The second work was less successful and received poorer reviews. In 1933, Masters wrote a retrospective essay on the composition of The Spoon River Anthology and the response it received, entitled "The Genesis of Spoon River." He recounts, among other things, the "exhaustion of body" that befell him while writing, which eventually manifested in pneumonia and a year-long bout of illness as the work was being prepared for publication. He claims that the Lewistown residents who strove to identify the poems' characters with real people did so only "with poor success."More recently, Lewistown celebrated its relationship to Masters's poetry. The Oak Hill Cemetery features a memorial statue of Masters and offers a self-guided walking tour of the graves that inspired the poems. In 2015, the town celebrated the 100th anniversary of the anthology's publication with tours, exhibitions, and theatrical performances.Today Spoon River Anthology often is assigned in high school and college literature classes and as a source of monologues for theatrical auditions. It is also often used in second-year characterization work in the Meisner technique of actor training.Spoon River Anthology is credited as an initial inspiration for the "audio log" storytelling device in video games as it first appeared in the game System Shock, a narrative technique that became a standard trope of narrative games. (wikipedia.org)

Edgar Lee Masters (1868-1950) was an American attorney, poet, biographer, and dramatist. He is the author of Spoon River Anthology, The New Star Chamber and Other Essays, Songs and Satires, The Great Valley, The Serpent in the Wilderness, An Obscure Tale, The Spleen, Mark Twain: A Portrait, Lincoln: The Man, and Illinois Poems. In all, Masters published twelve plays, twenty-one books of poetry, six novels and six biographies, including those of Abraham Lincoln, Mark Twain, Vachel Lindsay, and Walt Whitman. The culture around Lewistown, in addition to the town's cemetery at Oak Hill, and the nearby Spoon River were the inspirations for many of his works, most notably Spoon River Anthology, his most famous and acclaimed work. It gained a huge popularity, but shattered his position as a respectable member of establishment.

Edgar Lee Masters (1868-1950) was an American attorney, poet, biographer, and dramatist. He is the author of Spoon River Anthology, The New Star Chamber and Other Essays, Songs and Satires, The Great Valley, The Serpent in the Wilderness, An Obscure Tale, The Spleen, Mark Twain: A Portrait, Lincoln: The Man, and Illinois Poems. In all, Masters published twelve plays, twenty-one books of poetry, six novels and six biographies, including those of Abraham Lincoln, Mark Twain, Vachel Lindsay, and Walt Whitman. The culture around Lewistown, in addition to the town's cemetery at Oak Hill, and the nearby Spoon River were the inspirations for many of his works, most notably Spoon River Anthology, his most famous and acclaimed work. It gained a huge popularity, but shattered his position as a respectable member of establishment.