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Artemis to Actaeon and More is a collection of poetry by Edith Wharton, expanding her 1909 collection with additional, thematically related works. This volume includes a series of poems that explore themes of love, nature, myth, and the passage of time. Wharton's lyrical and evocative style is evident throughout the collection, reflecting her deep understanding of human emotions and classical mythology.One of the standout poems in the collection is the title poem, "Artemis to Actaeon", which reinterprets the Greek myth of the hunter Actaeon, who is transformed into a stag and killed by his own hounds after glimpsing the goddess Artemis bathing. Through this and other poems, Wharton delves into the complexities of desire, transformation, and the often tragic consequences of human actions.
EDITH WHARTON (1862-1937) was one of the most remarkable women of her time, and her immense commercial and critical success-most notably with her novel "The Age of Innocense" (1920), which won a Pulitzer Prize-have long overshadowed her small but distinguished body of supernatural fiction. Some of her finest fantastic and detective work (which oft times overlap) was first collected in 1909 in "Tales of Men and Ghosts". The psychological horror is as important as the literal one here, and subtle ambiguities characterized by the best of Henry James's work (such as "The Turn of the Screw") are also present in Wharton's character studies, such as "The Bolted Door." Is the protagonist a murderer, or is he mad? In the end it may not matter, for it is his descent into madness and obsession that gives the story its chilling frisson. Other tales present men (or ghosts, or what men believe to be ghosts) in a variety of lights, from misunderstood monsters to vengeful spirits to insecure artists. If you have never read Edith Wharton's fantasy work before, you will be captivated and delighted. Without a doubt, this is a landmark book, and an important addition to the Wildside Fantasy Classics line.
EDITH WHARTON (1862-1937) was one of the most remarkable women of her time, and her immense commercial and critical success-most notably with her novel "The Age of Innocense" (1920), which won a Pulitzer Prize-have long overshadowed her small but distinguished body of supernatural fiction. Some of her finest fantastic and detective work (which oft times overlap) was first collected in 1909 in "Tales of Men and Ghosts". The psychological horror is as important as the literal one here, and subtle ambiguities characterized by the best of Henry James's work (such as "The Turn of the Screw") are also present in Wharton's character studies, such as "The Bolted Door." Is the protagonist a murderer, or is he mad? In the end it may not matter, for it is his descent into madness and obsession that gives the story its chilling frisson. Other tales present men (or ghosts, or what men believe to be ghosts) in a variety of lights, from misunderstood monsters to vengeful spirits to insecure artists. If you have never read Edith Wharton's fantasy work before, you will be captivated and delighted. Without a doubt, this is a landmark book, and an important addition to the Wildside Fantasy Classics line.
When the widowed Anna Leath asks George Darrow for time to prepare her children before their marriage, Darrow drifts into an affair. The consequences of this relationship are far-reaching in this exploration of the many faces of sexuality.
Lily Bart is twenty-nine, beautiful and charming. She has expensive tastes, loves to gamble and socializes with the wealthy upper-class families of New York. But her meagre finances are dwindling and her place in society is slipping away from her. Her only hope of security is to find a suitable husband. However, Lily has an independence of spirit that stands in the way of her committing to the suitors available to her. As her options diminish, her friends become her enemies and her situation grows increasing perilous.In The House of Mirth, Edith Wharton gives us a witty and piercingly insightful dark satire about the privileged society of early twentieth-century New York.This beautiful Macmillan Collector's Library edition of The House of Mirth features an introduction by novelist Danuta Reah.Designed to appeal to the booklover, the Macmillan Collector's Library is a series of beautiful gift editions of much loved classic titles. Macmillan Collector's Library are books to love and treasure.
Edith Wharton was one of the first woman writers to be allowed to visit the war zones in France. This resulting collection of 6 essays presents a fascinating and unique perspective on wartime France by one of America's great novelists.
'He seemed a part of the mute melancholy landscape, an incarnation of its frozen woe, with all that was warm and sentient in him fast bound below the surface'Ethan Frome works his unproductive farm and struggles to maintain a bearable existence with his difficult, suspicious and hypochondriac wife, Zeena. But when Zeena's vivacious cousin enters their household as a 'hired girl', Ethan finds himself obsessed with her and with the possibilities for happiness she comes to represent. In one of American fiction's finest and most intense narratives, Edith Wharton moves this ill-starred trio towards their tragic destinies.The Penguin English Library - 100 editions of the best fiction in English, from the eighteenth century and the very first novels to the beginning of the First World War.
DramaCharacters: 5 male, 5 female Unit set. Based on the classic story that helped to establish Edith Wharton as the first great American woman novelist, this moving play vividly brings to the stage Lily Bart's flamboyant progress through the glorious whirl of New York's high society, circa 1905, and her tragic fall. The satirical love story is staged as a series of flashbacks over her coffin. Faithful to Edith Wharton's distinct style of dialogue, this dramatic version open
Charity Royall yearns to escape her dull existence in the New England backwater where she lives with her guardian. When her sexual nature is awakened, darker undercurrents in the community threaten her future happiness. The 'hot' counterpart to Ethan Frome, and equally memorable, Summer was regarded by Wharton as one of her best works.
Lily Bart has no fortune, but she possesses everything else she needs to make an excellent marriage: beauty, intelligence, a love of luxury and an elegant skill in negotiating the hidden traps and false friends of New York's high society. But time and again Lily cannot bring herself to make the final decisive move.
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