Bøker av Edmund Wilson

Hecate is the Greek goddess of sorcery, and Edmund Wilson's Hecate County is the bewitched center of the American Dream, a sleepy bedroom community where drinks flow endlessly and sexual fantasies fill the air. Memoirs of Hecate County, Wilson's favorite among his many books, is a set of interlinked stories combining the supernatural and the satirical, astute social observation and unusual personal detail. But the heart of the book, "The Princess with the Golden Hair," is a starkly realistic novella about New York City, its dance halls and speakeasies and slums. So sexually frank that for years Wilson's book was suppressed, this story is one of the great lost works of twentieth-century American literature: an astringent, comic, ultimately devastating exploration of lust and love, how they do and do not overlap.

Particle accelerators exploit every aspect of today's technology and have themselves contributed to many of the technologies. This book chronicles the development of these large accelerators and colliders, emphasizing the critical discoveries in applied physics and engineering that drive the field.

"In the best tradition of literary criticism… combines exact information with shrewd and searching penetration into the personal life of the artist."-The New York TimesWhere does artistic genius come from? Originally published in 1941, this classic work of literary critique by Edmund Wilson suggests an answer to that question with seven insightful essays, each one focusing on a different writer, each of which suffered some hardship or handicap that led to the creation of some of the most powerful works of literature. The first two studies, of Charles Dickens and Rudyard Kipling, cover each author's full body of work and reveal how in each case an unhappy childhood later resulted in mature artistic works later in their lives. Subsequent appraisals analyze the writings of Ernest Hemingway, James Joyce, Jacques Casanova, Edith Wharton, and Sophocles. Wilson's keen insights and analysis, weaving his thorough knowledge of history, biography, and psychology, led F. Scott Fitzgerald to call him "the literary conscience of my generation."The title The Wound and the Bow refers to the mythical story of Philoctetes, as recounted in the final essay. The legendary Greek archer was bitten by snake and then afflicted with an incurable, malodorous wound that would not heal. After first being banished, the injured hero was later sought out by his fellow warriors for his prowess with a magic bow, and his skill was ultimately key to the Greek victory at Troy.

"In the best tradition of literary criticism… combines exact information with shrewd and searching penetration into the personal life of the artist." -The New York TimesWhere does artistic genius come from? Originally published in 1941, this classic work of literary critique by Edmund Wilson suggests an answer to that question with seven insightful essays, each one focusing on a different writer, each of which suffered some hardship or handicap that led to the creation of some of the most powerful works of literature. The first two studies, of Charles Dickens and Rudyard Kipling, cover each author's full body of work and reveal how in each case an unhappy childhood later resulted in mature artistic works later in their lives. Subsequent appraisals analyze the writings of Ernest Hemingway, James Joyce, Jacques Casanova, Edith Wharton, and Sophocles. Wilson's keen insights and analysis, weaving his thorough knowledge of history, biography, and psychology, led F. Scott Fitzgerald to call him "the literary conscience of my generation."The title The Wound and the Bow refers to the mythical story of Philoctetes, as recounted in the final essay. The legendary Greek archer was bitten by snake and then afflicted with an incurable, malodorous wound that would not heal. After first being banished, the injured hero was later sought out by his fellow warriors for his prowess with a magic bow, and his skill was ultimately key to the Greek victory at Troy.

Many of Wilson's writings have been anthologized. But there is another body of work - over fifty fine essays on aspects of contemporary literature and ideas - that have been scattered in a variety of magazines, including The New Yorker, The New Republic, Vanity Fair, and The Nation.

Originally published in 1929, this is the first of three novels by Edmund Wilson, written whilst balancing his ambitions as a novelist against a career in literary criticism. The two tie together here in a depiction of a young man struggling to find his American ideal in a young chorus girl.

This edition of the letters between Vladimir Nabokov and Edmund Wilson has been expanded and revised to include 59 letters discovered after the book's original publication in 1979. The additional letters and new annotations clarify the correspondence and illuminate the writers' friendship.

This is an account of an Indian people's struggle to maintain an identity in American society. Also included is a study of ""The Mohawks in High Steel"" by Joseph Mitchell.

Among the major writers of the Hemingway and Fitzgerald generation, Edmund Wilson defied categorization. He wrote essays, stories and novels, cultural criticism, and contemporary chronicles, as well as journals and thousands of letters about the literary life and his own private world.