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This volume is an exploration of the varied and sometimes unrecognized ways in which music-especially in ritual contexts-can serve as both a spiritual conduit as well as a theological source. With topics ranging from a Congolese choir in Ireland to the Orthodox chant in Georgia, from postmodern reflections on new Passion compositions to reflections on the sacramentality of Black gospel music, this volume offers a rich plumbing of very diverse yet well researched musical traditions-case studies from around the globe-for their spiritual and theological contributions.
Taking a wider historical scope, this booklet examines the auditory environment and the temple of Herod as well as first century synagogues. Music in borrowed spaces and house churches of early Christianity conclude the study.
Perhaps the truest test of a nation's ability govern itself democratically is its ability to count ballots fairly and accurately in competitive, high-stakes elections.
Theological reflection-connecting life, ministry, and religious traditions -is a core component of ministerial training. Contemporary ministers serve in increasingly interfaith contexts and also with those without faith. This book addresses that reality of our society and reconsiders theological reflection in such an unexpectedly diverse context.
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