Bøker av Edward Whymper

"Unapproachable in Alpine literature."Few thought of travelling to the Alps until John Ruskin extolled the rugged beauty of the Matterhorn in 1844. However, it was 25-year-old Edward Whymper who inadvertently re-established its haunted aura upon making its first ascent in 1865. His Alpine adventure spurred the birth of mountaineering, while his memoir is still as fresh as when he wrote it as a love letter to the unique world and fierceness of nature he discovered while ascending thirteen Alpine peaks for the first time. Armed with a pick-axe, he climbed in tweeds and hobnailed leather shoes, alone or with other Brits and local hunters and craftsmen, who carried ropes, stores, tents, and hacked steps in the ice. Yet, today, the Matterhorn is still treacherous and has recorded over 500 more deaths since four of Whymper's party lost their lives-one of whom has yet to be found.Forgotten photographs-as a young engraver, Whymper enthusiastically embraced the rapidly advancing art of photography. In 1874, he was the first to take a portable camera and plates up the Matterhorn to turn photographs into drawings for a new edition of his book, and, in 1883, to include as lantern slides with talks (rousing in teenage Winston Churchill, for one, a lifelong passion for the Alps). In this edition, 56 of them accompany his original engravings and Alpine advice to illustrate his dramatic story, and many appear in print for the first time.

In 1865, when just twenty-five years of age, Edward Whymper achieved the fame of which he had dreamt as a teenager by making the first ascent of the Matterhorn, the last great unclimbed summit in the Alps. With renown came notoriety and lasting sorrow, though, due to the catastrophic accident on the descent, which cost the lives of four of his party. Whymper's life was marked by the conquest of the Matterhorn, but his mountaineering achievements have overshadowed his distinction as a wood engraver and book illustrator. Before he had ever thought about the Alps, while a teenager fulfilling his apprenticeship in the family engraving studio, Whymper kept a diary for six years, detailing his daily life in Lambeth. Showing frequent glimpses of the dry and sardonic humour so characteristic of the older Whymper, the diary is written with a developing style which looks forward to his classic works on mountaineering, Scrambles amongst the Alps and Travels amongst the the great Andes of the Equator. Providing a rare picture of the workings of a wood engraving studio during the heyday of this reproductive medium, the diary also reveals the world of his father, Josiah, and those London-based artists seeking to make a living from their water-colour painting. An avid reader of The Times, the young Whymper's diary follows the events of the day - the Crimean War, trhe Indian Mutiny, the affairs of Parliament, notorious trials, business scandals - and also the many fires and daily catastrophes so prevalent in Victorian London. This edition reproduces the complete text of Whymper's first diary for the first time. Ian Smith is a librarian, who is writing a biography of Edward Whymper. He is a member of the Alpine Club and has climbed many of Whymper's first ascents. He is from south London and lives in Kennington.

The Ascent Of The Matterhorn: With Maps And IllustrationsThis book is a result of an effort made by us towards making a contribution to the preservation and repair of original classic literature.In an attempt to preserve, improve and recreate the original content, we have worked towards:1. Type-setting & Reformatting: The complete work has been re-designed via professional layout, formatting and type-setting tools to re-create the same edition with rich typography, graphics, high quality images, and table elements, giving our readers the feel of holding a 'fresh and newly' reprinted and/or revised edition, as opposed to other scanned & printed (Optical Character Recognition - OCR) reproductions.2. Correction of imperfections: As the work was re-created from the scratch, therefore, it was vetted to rectify certain conventional norms with regard to typographical mistakes, hyphenations, punctuations, blurred images, missing content/pages, and/or other related subject matters, upon our consideration. Every attempt was made to rectify the imperfections related to omitted constructs in the original edition via other references. However, a few of such imperfections which could not be rectified due to intentional\unintentional omission of content in the original edition, were inherited and preserved from the original work to maintain the authenticity and construct, relevant to the work.We believe that this work holds historical, cultural and/or intellectual importance in the literary works community, therefore despite the oddities, we accounted the work for print as a part of our continuing effort towards preservation of literary work and our contribution towards the development of the society as a whole, driven by our beliefs. We are grateful to our readers for putting their faith in us and accepting our imperfections with regard to preservation of the historical content. HAPPY READING!