Bøker av Elizabeth Stewart

Topics covered include trauma, political violence, and the memorializations of trauma; how French psychoanalyst Jacques Lacan's concept of "passage à l'acte" can be used to analyze the dissolution of social bonds and the emergence of violence in contemporary societies; and the emergence of necropolitics, necrocapitalism, Afropessimism, and "Lacan noir" on the socio-politico-cultural scene. Contributors Gustavo Dessal, Stefan Ecks, Peter Goodrich, Marina Gržinic, Rosaura Martinez-Ruiz, Tracy McNulty, Elizabeth Stewart, Calvin Warren, Anthony Wexler

Dr Elizabeth Stewart is a counsellor who suffered a severe traffic accident that left her partly paralysed, in constant pain and needing to use a wheelchair. She shares her story of how the Catholic teaching on offering up one's pain and suffering, so that Christ may transform it, can bring great good from a difficult situation. Christ accepts our offering and joins it to His own suffering on the Cross, and so helps us to share in His redemptive work, whatever our circumstances may be and regardless of whether our pain is physical, emotional, or both. In taking part in His own sacrifice, we can find joy and contentment in the midst of our pain. As well as describing her own journey, Dr Stewart uses the examples of St Therese of Lisieux and of Jesus Himself to illustrate how this transformation takes place.

Lasting barely two centuries throughout the 1700s and 1800s, the Industrial Revolution in Britain propelled the country into the role of the world's premier industrial nation. Known as the 'midwife of the Industrial Revolution' coal was, literally, the driving force behind this power.Although referred to as 'the black diamond', coal is not a thing of beauty, yet like the true diamond, it is representative of power and wealth.Coal mining usually evokes images of tough men, glistening with the sweat of underground toil. We talk about man-power and manual labour; the industry has become synonymous with men. Rarely, if ever, do women come to mind, yet, until an Act of 1942 banned them from working down the mines, women worked alongside men, their toil equally as gruelling in conditions jut as appalling. Forbidden by Victorian prudery from working underground, they were replaced, at much greater expense to the mine owners, by ponies.The efforts of these women, every bit as responsible as men for creating Britain's once greatest industry, have rarely been acknowledged.During the 1926 general strike and lockout, Herbert Smith, President of the Miners' Federation of Great Britain, reported that half the attendees at union meetings were women, And these, he insisted, are always the toughest half.This book tells of the history of coal and coal mining from mediaeval times to the demise of the industry in Britain in the 1990s, and describes women's role in this history and how it affected their lives.Through a combination of historical narrative, fiction and biography, the book gives a voice to these diminished 'others' - wives, mothers and daughters - whose persistence, courage, pride and sacrifice also contributed to the profits of wealthy mine owners.Their stories are told through the prism of historical events - the frightened little girl forced to work alone in subterranean darkness, the poverty-stricken young woman confronting an unwanted pregnancy, those enduring the loss of sons and partners to a deadly occupation and women who, through adversity, took the opportunity to publicly reveal their collective strength.Gentle and gruff, warm-hearted and implacable, these battlers against grime, beaters of carpets, painters, decorators and cooks, activists and staunch supporters of strikes and lockouts, underpinned the foundations of Britain's coal industry.Woven through this book is the true story of the author's mother, a miner's daughter. Her life too was hard and closely entwined with coal mining to which she made, over many years, a considerable contribution not only to the industry but to the mining communities in which she worked.

Elizabeth Stewart is a highly acclaimed singer, pianist and accordionist whose reputation has spread widely not only as an outstanding musician but as the principal inheritor and advocate of her family and their music. First discovered by folklorists in the 1950s, the Stewarts of Fetterangus, including Elizabeth's mother Jean, her uncle Ned, and her aunt Lucy, have had immense musical influence. Lucy in particular became a celebrated ballad singer and in 1961 Smithsonian Folkways released a collection of her classic ballad recordings that brought the family's music and name to an international audience.Up Yon Wide and Lonely Glen is a significant memoir of Scottish Traveller life, containing stories, music, and songs from this prominent Traveller family. The book is the result of a close partnership between Elizabeth Stewart and Scottish folk singer and writer Alison McMorland. It details the ancestral history of Elizabeth Stewart's family, the story of her mother, the story of her aunt, and her own life story, framing and contextualizing the music and song examples and showing how totally integrated these art forms are with daily life. It is a remarkable portrait of a Traveller family from the perspective of its matrilineal line. The narrative, spanning five generations and written in Scots, captures the rhythms and idioms of Elizabeth Stewart's speaking voice and is extraordinary from a musical, cultural, sociological, and historical point of view. The book features 145 songs, eight original piano compositions, folk-tale versions, rhymes and riddles, and eighty fascinating illustrations, from the family of Elizabeth, her mother Jean (1912-1962) and her aunt Lucy (1901-1982). In addition, there are notes on the songs and a series of appendices. Up Yon Wide and Lonely Glen will appeal to those interested in traditional music, folklore, and folk song--and in particular, Scottish tradition.

My Darlin' Quarantine: Intimate Connections Created in Chaos is a collection of short comedies that describe the humorous ways in which five small groups of average people deal with an absurd situation: quarantine with strangers. Shocked at first, characters react with creativity to forced quarantines in a dental office, a beauty salon, a car dealership, a dive bar, and a law firm. The constriction of place, the anonymity that strangers offer, and the challenge of invention, provide an invitation for imaginations to soar amidst unlikely bonds. Great loves, friendships, and triumphs come out of facing the near impossible --the challenge of living creatively for 42 days, in a strange place. My Darlin' Quarantine takes the reader on a journey into the surreal world of our present crisis set in the future in the unlikeliest of places, where creativity is channeled into personal growth through the companionship of earnest, annoying, funny, all-too-human strangers. Caricature illustrations by Christine Brallier