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This book is the first greater attempt to construct a dialogical theology from a Jewish point of view. It contributes to an emerging new theology that promotes the interrelatedness of religions in which encounter, openness, hospitality and permanent learning are central. The monograph is about the self and the other, inner and outer, own and strange; about borders and crossing borders, and about the sublime activities of passing and translating. Meir analyses and critically discusses the writings of great contemporary Jewish dialogical thinkers and argues that the values of interreligious theology are moored in their thoughts. In his view interreligious dialogue supposes attentive listening, humility, a critical attitude towards oneself and others, a good amount of self-relativism and humor. It is about proximity, dialogical reading, engagement and interconnectedness.
In discussion with Martin Buber, Franz Rosenzweig, Abraham Joshua Heschel, Franz Fischer and Emmanuel Levinas, Ephraim Meir outlines a novel conception of a selfhood that is grounded in dialogical thought. He focuses on the shaping of identity in present day societies and offers a new view on identity around the concepts of self-transcendence, self-difference, and trans-difference. Subjectivity is seen as the concrete possibility of relating to an open identity, which receives and hosts alterity. Self-difference is the crown upon the I; it is the result of a dialogical life, a life of passing to the other. The religious I is perceived as in dialogue with secularity, with its own past and with other persons. It is suggested that with a dialogical approach one may discover what unites people in pluralist societies.
Letters of Love rereads the oeuvre of Franz Rosenzweig (1886-1929) in light of his recently published correspondence with Margrit (Gritli) Rosenstock-Huessy (1893-1959). This reading of more than one thousand letters is indispensable for any future research on Rosenzweig. Ephraim Meir has made the first major attempt to study this document humain in order to come to a new picture of Rosenzweig¿s life and thought, especially in Star of Redemption.
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