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Leroy recalls his childhood friend Matthew Barber. Peter and Matthew seem unlikely friends. Matthew finds little to like in life, and his outlook is decidedly blue. Peter finds much to like in life, though nearly everything puzzles him, and he is essentially sanguine about his future, no matter how groundless his optimism might be. Eventually the friends find, as most friends do, that each has added to his developing self a little of the other."A set of thematic variations (ranging from a Saturday-afternoon cartoon about a happy hippo and an unhappy one to a deadly competition having to do with skipping third grade) that raise complicated farce to the level of calculus."Anna Shapiro, The New Yorker
Leroy recalls his maternal grandfather's attempt to build a shortwave radio, a project that begins with an article in Impractical Craftsman magazine promising "hour after interminable hour of baffling precision work." After many, many hours spent watching his grandfather labor at his basement workbench, Peter at last gets to put the earphones on, flip the switch, and twiddle the dials. Through the crackling and sussurous static he detects the sounds of love and lust, joy and sorrow, hope and loss.
Peter Leroy explores his earliest memories, which involve a next-door neighbor with a shady occupation, a shapely blonde (a product of his imagination), six kittens and one red wagon, and his mother's tumble from her lawn chair.MY MOTHER TAKES A TUMBLE is included in LITTLE FOLLIES. However, it is also available on its own as a pocket-size paperback.
In the town of Babbington, New York, at the tail end of an alternative version of the 1950s, a young dreamer named Peter Leroy has set out to build a flying motorcycle, using a design ripped from the pages of Impractical Craftsman magazine.This two-wheeled wonder will carry him not only to such faraway places as New Mexico and the Summer Institute in Mathematics, Physics, and Weaponry, but deep into the heart of a commercialized American culture, and return him to Babbington a hero.More than forty years later, as Babbington is about to rebuild itself as a theme park commemorating his historic flight, Peter must return home to set the record straight, and confess that his flight did not match the legend that it inspired.Flying is an artful, slyly intelligent, wildly inventive, and buoyant comedy of remarkable wingspan, a hilarious story of hoaxes, digressions, do-it-yourself engineering, and the wilds of memory-and a great satire of magical thinking in America."A reminder of how entertaining a novel can be when it slips the surly bonds of realism. . . . The effect is like a happy-go-lucky Nabokov, with all the road-tripping wordplay and none of the incest. . . . Kraft's affectionately satirical, buoyant language makes Flying soar." Radhika Jones, TIME"Beneath its aw-shucks surface, Flying is an ingenious, at times dizzyingly self-inverting assault not only on the truth, but on the concoction of palatable fictions, as well. Its only inviolate god is the human imagination; it's a paean to flight by a boy who never left the ground, except, perhaps, where it counts most: in his mind." Laura Miller, The New York Times"Eric Kraft is an oddball, an eccentric, a bit of a genius - the writerly equivalent of a dreamer who puts together weird and wonderful contraptions in his garage. . . . Kraft has made his career out of high-wire performance, seizing on the merest hint or detail and spinning it into magic. . . . Flying . . . feels like Kraft's grandest achievement since Herb 'n' Lorna." Richard Rayner, Los Angeles Times"If you were to pick up a hitchhiking Jorge Luis Borges and Robert Pirsig, or to listen as Thomas Pynchon recited Ulysses from memory over longnecks on J. D. Salinger's tab, you might catch the flavor of Eric Kraft's work." Matthew Battles, Barnes & Noble Review"That rare book that can change the way you look at the world."William McKeen, St. Petersburg Times
On the surface, Herb and Lorna's story seems like an American myth: small-town origins, Jazz Age romance, Depression trials, and postwar prosperity. By the 1950s, they seem to be a typically sunny American couple. Herb sells Studebakers to the citizens of Babbington, a Long Island seaside town, and Lorna is his cheerfully coy and clever wife. However, after Herb and Lorna have died, their grandson, Peter Leroy, discovers, "that my maternal grandparents were involved in-virtually the creators of-the animated erotic jewelry industry." "Herb 'n' Lorna is a historical farce, a comedy of four generations of happy errors. This very funny novel - as graceful, complicated and exhilarating as a quadrille - is an appreciation of folly." Cathleen Schine The New York Times Book Review (front page review) "Herb 'n' Lorna is a classic. Savor it." Andrei Codrescu, National Public Radio A NEW YORK TIMES NOTABLE BOOK OF THE YEAR
Peter Leroy is in danger of becoming an arrogant, insufferable little egoist. Then something happens that saves him. He falls in love with Albertine Gaudet.That is the end of egoism-and the start of one of literature's great romances.Peter doesn't merely tell the story of his wooing and winning Albertine. He interweaves that story with an account of the troubles that beset him during the writing of the story. Among the obstacles are self-doubt, procrastination, and the demanding clients for his memoir-ghost-writing service Memoirs While You Wait-but that's not all. He begins getting telephone calls intended for a local business, Peerless Television Service and Repair. These oddly compelling calls lure him out of the isolation of his writing room and into the lives of the callers. The result is a poignant, thoughtful meditation on the frustrations of everyday life, the transitory nature of fame and success, persistence, loyalty, the vanity of human wishes, luck, realism, and romance.
Peter Leroy struggles to win the affections of the toothsome Patti Fiorenza while keeping his mother's hopes and his mother's boat afloat. Ella Leroy dreams of escaping the dreary routine of her 1950s wife-and-mom life. Without telling her husband, she enlists her son Peter and his locally-notorious girlfriend Patti in a scheme to buy a run-down clamboat and re-invent it as an elegant cruising vessel for summer people in the bayside town of Babbington, Long Island. But after they've bought the boat, Peter discovers that it is slowly sinking. "Raucous, wise, and great fun, this is simply not to be missed." Nancy Pearl, Booklist "The secret dreams and yearnings of a soul in the making, a fool for beauty." Frederic Koeppel, Memphis Commercial Appeal "Fascinating and sophisticated." Jennifer Reese, The New York Times Book Review "The best description of sex appeal anywhere, ever." Peter Jon Shuler
"[What a Piece of Work I Am] centers on the sultry Ariane, who had been the town bad girl in the 1950s. Baring the sexual secrets and bizarre events of her past . . . Ariane pieces together a wild, fascinating tale based on her erotic history. Peter listens as Ariane, who is six years older and more worldly, recounts growing up lower-class and having sex with many boys while the good girls shunned and hounded her for it. He remembers vividly his own puppy love for this luscious older sister of his best friend, Raskol. . . . A rebel before her time, questing, daring yet bumbling in the back seats of guys' cars, fearless to the point of foolishness, she remains resilient enough to pursue a twisting life's odyssey that demonstrates her growing sophistication in matters of love and sex." Mark Ciabattari, Washington Post Book World A NEW YORK TIMES NOTABLE BOOK OF THE YEAR
Peter Leroy receives his sexual initiation at the hands of the Glynn twins, becomes a sketch doctor, listens to many tales about the night the Nevsky mansion burned, learns the value of hope, and discovers the love of his life. As is usual with Peter's recollections, we are never certain where memory ends and imagination begins-but we are certain that we are reading the work of a brilliant memoirist who reconstructs his past with wry humor, nostalgia, satire, and dazzling invention. "A witty and wildly digressive epistemological examination in the form of a childhood reminiscence." The New Yorker "Wholly engaging . . . a daring tour de force." Jonathan Baumbach, The New York Times Book Review "One of the more hilariously erotic pieces of writing since Lolita." Edward Hannibal, The East Hampton Star
Peter Leroy finally completes a junior-high-school science assignment, thirty years late, exploring along the way quantum physics, entropy, epistemology, principles of uncertainty and discontinuity, a range of life's Big Questions, and his memories of his intoxicating science teacher, Miss Rheingold. "A magical, funny, healing journey." Publishers Weekly (starred review) "Warm . . . thought-provoking . . . charming . . . delightful." Library Journal (starred review) "Mr. Kraft is a splendid, smart, funny, slyly sexy, and insightful writer." The East Hampton Star "A book designed to leave its readers-and it deserves many of them-as happy as clams." The New York Times Book Review "Luminously intelligent fun." Time "Goofy and thoroughly enjoyable." The Cleveland Plain Dealer "Nothing less than an attempt to comprehend the nature of the universe itself." The Seattle Times & Post-Intelligencer "Hilarious." USA Today
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