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  • av Erika Howsare
    220,-

    A stag leaps on an ancient brooch. A doe and a fawn step across a field at first light. A pair of antlers is silhouetted by the side of a busy road.From the earliest cave paintings to the present day, humans and deer have a long and complex history. Royal harts were the coveted quarry of European kings, while the first Americans relied on deer for everything from buckskins to arrow heads. Once hunted to the point of extinction in some parts of the world, deer numbers have exploded in recent years, causing tension between scientists and conservationists. And yet, this is our own story, as the fortune of deer is inextricably bound up with the actions that we humans take on the world around us.

  • av Erika Howsare
    281,-

    "Deer have been an important part of the world that humans occupy for millennia. They're one of the only large animals that can thrive in our presence. In the 21st century, our relationship is full of contradictions: We hunt and protect them, we cull them from suburbs while making them an icon of wilderness, we see them both as victims and as pests. But there is no doubt that we have a connection to deer: in mythology and story, in ecosystems biological and digital, in cities and in forests. Delving into the historical roots of these tangled attitudes and how they play out in the present, Erika Howsare observes scientists capture and collar fawns, hunters show off their trophies, a museum interpreter teaching American history while tanning a deer hide, an animal-control officer collecting the carcasses of deer killed by sharpshooters, and a woman bottle-raising orphaned fawns in her backyard. As she reports these stories, Howsare's eye is always on the bigger picture: Why do we look at deer in the ways we do, and what do these animals reveal about human involvement in the natural world?"--

  • av Erika Howsare
    170,-

    How is Travel a Folded Form? is a question that moves through the American landscape, imagining how different eras might interrogate each other. The book revels in the history and peculiarities of the national tourist machine, while remaining rooted in the continent's palpable presence. If this is a travel guide, it is perpetually unfinished, uncertain, wondering and wandering toward a destination as changeable as water.

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