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Reissued for the first time in a handsome A List edition, the Governor General¿s Literary Award¿winning collection from one of Canadäs most profoundly inventive and eminent poets, featuring an introduction by award-winning poet Sonnet L¿Abbé.The poetry in the Governor General¿s Award¿winning collection Furious is charged with Erin Moure¿s characteristic energy and wit as she explores the limits of pure reason and the language of power. There is, too, a fresh and often celebratory look at love, and, in an unusual finale, ¿The Acts,¿ Moure challenges us to explore a feminist aesthetic: of thinking, of the page, of working life and the possibility of poetry.
Poetry. First published in 1999 in an edition of 300 perfectbound copies and 26 spiralbound copies lettered A-Z and signed, PILLAGE LAUD by "Erin Moure" is a lost cult item that now returns to print. As the 1999 edition announced, PILLAGE LAUD selects from pages of computer-generated sentences to produce lesbian sex poems (cauterizations, vocabularies, cantigas, topiary and prose) by pulling through certain found vocabularies, relying on context: boy plug vagina library fate tool doctrine bath discipline belt beds pioneer book ambition finger fist flow. It used MacProse, a freeware designed by American poet and jazz musician Charles O. Hartman as a generator of random sentences based on syntax and lexicon instructions internal to the program; the program worked on Apple systems prior to OS X and is now in the dustbins of computer history. In 1999, the news was shocking: Moure's poems are written by a computer. In 2011, now that everyone is a computer, the book can be read anew.
Secession / Insecession is a homage to the acts of reading, writing and translating poetry. In it, Chus Pato's Galician biopoetics of poet and nation, Secession - translated by Erin Moure - joins Moure's Canadian translational biopoetics, Insecession. To Pato, the poem is an insurrection against normalized language; to Moure, translation itself disrupts and reforms poetics and the possibility of the poem. In solidarity with Pato, Moure echoes Barthes: "e;A readerly text is something I cannot re-produce (today I cannot write like Atwood); a writerly text is one I can read only if I utterly transform my reading regime. I now recognize a third text alongside the readerly and the writerly: let's call it the untranslatable."e;In Secession / Insecession, a major European poet and a known Canadian poet, born on opposite sides of the Atlantic in the mid twentieth century and with vastly different experiences of political life, forge a 21st century relationship of thinking and creation. The result is a major work of memoir, poetics, trans-ethics and history.
Extraordinary retrospective spanning forty years
My Beloved Wager gathers essays by noted poet and translator Erin Moure, and records a quarter century of writing practice emerging from a city of exhilarating poetic and translatory possibility: Montreal. In her essays and linguistic-sculptural interventions on what poetry makes possible, Moure reveals why she has placed her bets on poetry as a way of life. In these works, the richness of poetry is laid bare as Moure challenges us to think more deeply about who we are as speakers, readers, writers, and citizens of the world.
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