Gjør som tusenvis av andre bokelskere
Abonner på vårt nyhetsbrev og få rabatter og inspirasjon til din neste leseopplevelse.
Ved å abonnere godtar du vår personvernerklæring.Du kan når som helst melde deg av våre nyhetsbrev.
In With All My Might, his definitive autobiography, Caldwell tells about his work as a cotton picker, stagehand, professional football player, and war correspondent for Life magazine during World War II.In 1932, Erskine Caldwell's first novel, Tobacco Road, was the center of controversy. Some critics condemned the book; others considered it to be the work of a genius. Today Caldwell's fifty-plus books have sold more than 80 million copies worldwide, and his stature as a writer has been firmly established.In With All My Might, his definitive autobiography, Caldwell tells about his work as a cotton picker, stagehand, professional football player, and war correspondent for Life magazine during World War II. He describes his four marriages (including the much-publicized divorce from photographer Margaret Bourke-White). He writes of the sacrifices he made and the rejections he suffered during the years he was struggling to have his work published.
This collection of 96 stories presents the best of Erskine Calder's short fiction from his most productive period of work. Included here is ""Crown-Fire"", ""Country Full of Swedes"", ""The Windfall"", ""Horse Thief"", ""Yellow Girl"" and ""Kneel to the Rising Sun"".
A graphic portrayal of the sharecropper's plight. This book documents the living conditions of the sharecroppers, America's poor rural underclass. Supported by commentary, the poor tell how the tenant system exploited whites and blacks alike and fostered animosity between them.
This work presents a mixture of anecdotes, memories, interviews and observations from a minister's son whose father performed missionary work in the deeply religious communities of the Bible Belt in America.
""I'm just an ordinary writer,"" Erskine Caldwell once wrote. ""I'm not trying to sell anything; I'm not trying to buy anything. I'm just trying to present my vision of life."" Yet his vision of Southern grotesques, of slack-jawed, pellagra-ridden sharecroppers, repressed farmwives, and oversexed nymphets, elicited anything but an ""ordinary"" response. Hailed by the likes of F. Scott Fitzgerald and Maxwell Perkins, reviled by others as a pornographer or sensationalist, Caldwell was once called ""America's most popular author."" Once the furor flagged, Caldwell was relegated to the ""mansions of subliterature,"" where his reputation resides today. This book contains more than 150 previously unpublished letters, notes, telegrams, and postcards written between 1929 and 1955, at the peak of Caldwell's popularity and influence, all extensively annotated. The introduction assays Caldwell's significance in American popular culture and literary studies and establishes the importance of Caldwell's correspondence as a means of understanding the intentions of a man who was otherwise terse and unforthcoming about his work.
This is the story of the journey of Erskine Caldwell as he set out across the South to find his black boyhood friend, at the zenith of the civil rights movement. It seeks to answer questions surrounding the race problem through the many people that he met.
This memoir presents a self-portrait of Esrkine Caldwell's first 30 years as a writer, with special emphasis on his long and hard apprenticeship before he emerged as one of the most widely read and controversial writers of his time.
A semi-autobiography of the childhood of Alan Kent, from early manhood to artist. The text includes brief, graphic sketches which illustrate the struggle against various hardening effects of a brutal and seemingly indifferent world.
In this collection of 14 inter-related stories, 12-year-old William Stroup recounts the ludicrous predicaments and often self-imposed hardships his family endures.
Set during the Depression in the depleted farmlands surrounding Augusta, Georgia, this is the story of the Lesters, a family of destitute white sharecroppers. Debased by their poverty, they fear they will descend to a lower rung on the social ladder than the black families who live near them.
Abonner på vårt nyhetsbrev og få rabatter og inspirasjon til din neste leseopplevelse.
Ved å abonnere godtar du vår personvernerklæring.