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Bøker av Eva Grossmann

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  • - Results of the underwater survey 1989-1996
    av Eva Grossmann
    620,-

    The results of this work are based on investigations conducted over a period of four years at Tel Michal and Apollonia, and are the result of 2,300 actual underwater hours. Evidence collected from written sources and field-work brings the authors to the conclusion that the Mediterranean coastal harbour, or anchorage, at Tel Michal (on the Israeli Sharon Plain) was located in an estuary on the southern or south-eastern side of the high tell. Excavations show habitation from the Middle Bronze Age to the Persian period. Tel Michal declined during Persian rule as Apollonia (lying 3.5 km north) was founded and grew in importance. The overall objectives of the study were to determine whether the two settlements possessed their own harbours, anchorages or beaching shores, or whether their economic development was solely dependent on the hinterland and land-borne transport.Written by Eva Grossmann, with contributors.

  • av Eva Grossmann
    491,-

    This book presents an outline history of ancient sites associated with floor mosaics depicting marine vessels in the widely defined Eastern Mediterranean stretching from southern Turkey to Egypt. A total of 38 individual examples of marine and riverine craft are presented from the study region: three from Turkey, seven from Syria, two from Lebanon, twelve from Israel (10 ancient, 2 modern), ten from Jordan, two from Egypt, and two unprovenanced. The author argues that mosaics did not exist or function in isolation of their historical contexts, but were created by specialists who had inherited a deep-rooted tradition from the Greek world and were commissioned by a range of officials with a long tradition of civic governance spanning the pagan and Christian spheres. Essentially this book is the study of what data may be derived from the techniques of boat construction in mosaic pavements and other artistic media, such as wall paintings and reliefs, and how these techniques were disseminated and understood through the medieval period and into the modern era by a combination of artistic depictions and oral traditions.

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