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the second part provides specific cases of phenomenological analysis that illustrate and test the method established in the first part.

Examines the legacy of the historical coincidence of the emergence of science and opera in the early modern period. This book explores opera and science by a phenomenology of the formulations of consciousness (Gurwitsch) as compossible tasks to be accomplished in common (Schutz) which share an ideal possibility or 'essence' (Husserl).

the second part provides specific cases of phenomenological analysis that illustrate and test the method established in the first part.