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Through her Letters written to Friends, to her opponents: priests, magistrates, politicians, including the king, Elizabeth Hooton leaves a captivating testimony of her fights for and of her activism in quest of the Truth, Freedom, Justice and equity for all as well as peace on earth and within the Quaker movement. Hers was a fight and quest far from any guided by egoism pure and simple or by personal interest. She was driven by her interest in the common good of all and everywhere. In History of civilizations we have actors who fade away unnoticed or at times are just ignored whereas their contributions to the said civilizations as small as they might be have contributed tremendously in shaping without doubt the same civilizations. Elizabeth Hooton falls within this category of people whose contribution to contemporary English civilization and above all to the feminist movement can be read between the lines of the fragments of these letters; she wrote to her Friends and to the political leaders of England during an era of great changes which radically transformed the English society i.e. 17th Century England. She expresses herself in very caustic terms as a way of affirming the rights to equality of the oppressed woman and other marginals of the society of her time. She anchors her fight on the axis of a universal and Universalist quest for equality, a Quaker ideal.
Sing Love 101 a collection of 101 love poems in which this wordsmith worth his words brings together the good, the bad and the ugly of human love experiences. The poems are glossed with the simplicity of a sweet gentle breeze that caresses the reader's heart like that blowing across his childhood rice fields in the summer. The poet highlights 'Love' as 'the Dream' none should let die.
Bill NDI's Bleeding Red: Cameroon in Black and White is another masterpiece from a poet with a deeply political vision. This collection of poems with Cameroon as the particular focal point is a paragon of socio-political and cultural alertness in verse that will get every reader on their toes. Bill NDI's world is fraught with topsy-turvydom. It is a world darkened by experience and a keen sense of the wrongs plaguing his beloved country. He points out, without preaching, where it all went wrong, how it can, or what it will take to, be redeemed. The acerbity of Bill NDIís criticism runs from the very first poem of the collection 'Anthem for Essingang' through ëThe Promiseí to the very last one 'Papa Ngando Yi Mimba for Camelun'. What a clime characterised by a 'clan of mbokos, clan of bandits'! It is just natural that as they perpetrate 'death and sadness' in his beloved fatherland, nothing but 'disgrace', 'great shame', and 'repudiation' awaits them for evermore.
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