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Covering some of the very best of F Scott Fitzgerald's short fiction, this collection spans his career, from the early stories of the glittering Jazz Age, through the lost hopes of the thirties, to the last, twilight decade of his life. It brings together his most famous stories, including "The Diamond as Big as the Ritz".
The Great American Novel of love and betrayal in the Jazz Age is now a major film.
A collection of early short stories which helped make Fitzgerald's name, Tales of the Jazz Age combines period pieces - the most notable of which is the novella-length 'May Day' - with more fanciful creations, such as the fantastical 'The Curious Case of Benjamin Button', recently made into a Hollywood film.
Even theAmerican Heritage Dictionary acknowledges that F. Scott Fitzgerald "epitomized the Jazz Age." And nowhere among his writings are the gin, pith, and morning-after squint of that era better illuminated than in these short essays. Selected in celebration of the 100th anniversary of Fitzgerald's birth, these candid personal memoirs--one written with his wife, Zelda--furnish nothing less than the autobiography of "the lost generation" of the 1920s. "He lacked armor," EL. Doctorow, author of The Waterworks, Ragtime, and Billy Bathgates, notes in his introduction. "He did not live in protective seclusion, as Faulkner. He was not carapaced in self-presentation, as Hemingway. He jumped right into the foolish heart of everything, as he had into the Plaza fountain." The Jazz Age is a celebration of one of the twentieth century's most vital writers.
The Cut-glass Bowl and Other Stories is an adapted Upper level reader written by F. Scott Fitzgerald. Five interesting short stories set in America in the 1920s and 1940s. The stories include 'Cut-Glass Bowl', 'Bernice Bobs Her Hair', 'Gretchen's Forty Winks', 'Magnetism' and 'Three Hours Between Planes'.
The only authorized edition of the twentieth-century classic, featuring F. Scott Fitzgerald's final revisions, a foreword by his granddaughter, and a new introduction by National Book Award winner Jesmyn Ward. Nominated as one of America's best-loved novels by PBS's The Great American Read.The Great Gatsby, F. Scott Fitzgerald's third book, stands as the supreme achievement of his career. First published in 1925, this quintessential novel of the Jazz Age has been acclaimed by generations of readers. The story of the mysteriously wealthy Jay Gatsby and his love for the beautiful Daisy Buchanan, of lavish parties on Long Island at a time when The New York Times noted "gin was the national drink and sex the national obsession," it is an exquisitely crafted tale of America in the 1920s.
A mysterious woman stands and smiles at Monroe Stahr, the last of the great Hollywood princes. Enchanted by one another, they begin a passionate but hopeless love affair.
This volume in the authoritative critical edition of Fitzgerald's works reproduces his second collection of short stories, Tales of the Jazz Age, together with several uncollected stories from the early 1920s. This edition includes a full record of variants, tracing Fitzgerald's extensive revisions, detailed historical notes, references and glosses.
Includes stories such as: The Diamond as Big as the Ritz, The Cut-Glass Bowl, May Day, The Rich Boy, Crazy Sunday, An Alcoholic Case, The Lees of Happiness, The Lost Decade and Babylon Revisited.
Through his alcoholism and her mental illness, his career highs (and lows) and her institutional confinement, Scott and Zelda Fitzgerald's devotion to each other endured for more than twenty-two years. This book presents a collection of correspondence between Scott and Zelda Fitzgerald.
This first edition ever published of Trimalchio, an early and complete version of F. Scott Fitzgerald's classic novel The Great Gatsby now appears in paperback. Fitzgerald originally submitted the novel as Trimalchio, and virtually rewrote it at galley-proof stage, producing the book we know as The Great Gatsby.
Amory Blaine, intent on rebelling against his staid, Midwestern upbringing, longs to acquire the patina of Eastern sophistication. In his quest for sexual and intellectual enlightenment, he progresses through a series of relationships, until he is cast out into the real world.
Introduction by Hortense Calisher Commentary by Edmund Wilson, Henry Seidel Canby, and Arthur Mizener Fitzgerald's second novel, a devastating portrait of the excesses of the Jazz Age, is a largely autobiographical depiction of a glamorous, reckless Manhattan couple and their spectacular spiral into tragedy. Published on the heels of This Side of Paradise, the story of the Harvard-educated aesthete Anthony Patch and his willful wife, Gloria, is propelled by Fitzgerald's intense romantic imagination and demonstrates an increased technical and emotional maturity. The Beautiful and Damned is at once a gripping morality tale, a rueful meditation on love, marriage, and money, and an acute social document. As Hortense Calisher observes in her Introduction, "Though Fitzgerald can entrance with stories so joyfully youthful they appear to be safe-when he cuts himself, you will bleed."Includes a Modern Library Reading Group Guide
Between the First World War and the Wall Street Crash the French Riviera was the stylish place for wealthy Americans to visit. Among the most fashionable are the Divers, Dick and Nicole who hold court at their villa. Into their circle comes Rosemary Hoyt, a film star, who is instantly attracted to them, but understands little of the dark secrets and hidden corruption that hold them together. As Dick draws closer to Rosemary, he fractures the delicate structure of his marriage and sets both Nicole and himself on to a dangerous path where only the strongest can survive. In this exquisite, lyrical novel, Fitzgerald has poured much of the essence of his own life; he has also depicted the age of materialism, shattered idealism and broken dreams.
Though most widely known for the novella "The Great Gatsby", F Scott Fitzgerald gained a major source of income as a professional writer from the sale of short stories. This work includes two masterpieces as well as several other stories from his earlier career. In introducing each story, Fitzgerald offers accounts of its textual history.
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