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This volume offers a compelling account of Jean-Louis Barrault, Ariane Mnouchkine and Peter Stein, who not only won international recognition as directors whose repertoires ranged from classical Greek to Shakespeare to the avant-garde, but also succeeded as leaders of their own companies. The ensembles they nurtured and kept afloat despite setbacks represent the artistic vision of each: the Compagnie Madeleine Renaud-Jean-Louis Barrault, the Théâtre du Soleil and the Schaubühne. Selected landmark productions illuminate the achievements of these three directors and their companies.
Chronicles the ""first golden age"" of Kansas City theater, from the opening of the Coates Opera House in 1870 through the gradual decline of touring productions after World War I. This book also tells how James O'Neill once chased a messenger boy for ruining a big scene, while Louis James played practical jokes on fellow actors.
This anthology discusses Love's Labour's Lost in terms of historical context, dating and sources, character analysis; comic elements, verbal conceits, evidence of authorship and feminist interpretations.
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