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The prestigious new volume by Skira devoted to international contemporary photography is focused on some of the greatest American masters of the twentieth-century. This will be the first of two books (with the second coming in 2014) that seek to illustrate the outstanding quality and variety of the works which have marked American photography from the mid-twentieth-century to the present day. This first volume presents a detailed and annotated selection of works executed between the 1940s and 1970s by twenty photographers of undisputed importance--from Edward Weston and Robert Adams to Minor White and Garry Winogrand, from Lee Friedlander down to Stephen Shore--whose pursuits represent benchmarks in the history of contemporary photography. As in the case of other titles in the series, the reproductions of all the works are accompanied by a critical apparatus with texts discussing the area, artists, and research explored.
A collection of previously unreleased photographs by the German artist shot over the past three years between Venice and the Tuscan-Emilian Apennines.
Offers an interpretation of contemporary reality of India and South America through the language of images.
A broad monograph devoted to Daido Moriyama, one of the pre-eminent names in contemporary Japanese photography along with Nobuyoshi Araki, Yasumasa Morimura, and Shomei Tomatsu. Moriyamäs photography is provocative, both for the form it takes (dirty, blurry, overexposed, or scratched) and for its content. The viewer¿s experience of the photo¿whether it captures a place, a person, a situation, or an atmosphere¿is the central thrust in his work, which vividly and directly conveys the artist¿s emotions. His perspective and cultural background reveals aspects of Japan heretofore unknown. Seeing how he transforms the small, easily overlooked moments of everyday life into scenes of deep significance, the readers will be drawn into an investigation of reality in contemporary life.
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