Bøker av Filippo Maggia

Over 300 images by the most famous contemporary Japanese photographer from the 1960s to today.Nobuyoshi Araki (Tokyo, 1940) is known the world over for his controversial erotic portraits of Japanese women, often bound using the kinbaku (Japanese bondage) technique. A unique figure in contemporary photography, he has always found creative inspiration in his daily existence, without making any distinction between his personal life and public and professional practice. The Araki Effect offers a broad overview of his career: from the first series from 1963-1965, Satchin and His Brother Mabo, to Subway of Love, a large collection of images taken in the Tokyo subway between 1963 and 1972, the year he also made Autumn in Tokyo, which recounts the autumn he spent wandering through the city in the twilight hours. These are followed by Sentimental Night in Kyoto, less well-known than the famous Sentimental Journey, both tributes to his wife, Yoko; Balcony of Love, Death Reality, Tokyo Diary from 2017, and one of his latest collections, Araki's Paradise from 2019. The power of Araki's images lies precisely in the force they emanate, the essence of the feeling - be it pain or joy - that the Japanese master puts into every picture. Araki transforms the set into a stage on which only he and the subject exist.

Filippo Maggia is photography curator at the Fondazione Sandretto Re Rebaudengo in Turin and since 2015 has collaborated with Sky Arte HD, acting as consultant for the Master of Photography in 2016 and 2017.

The prestigious new volume by Skira devoted to international contemporary photography is focused on some of the greatest American masters of the twentieth-century. This will be the first of two books (with the second coming in 2014) that seek to illustrate the outstanding quality and variety of the works which have marked American photography from the mid-twentieth-century to the present day. This first volume presents a detailed and annotated selection of works executed between the 1940s and 1970s by twenty photographers of undisputed importance--from Edward Weston and Robert Adams to Minor White and Garry Winogrand, from Lee Friedlander down to Stephen Shore--whose pursuits represent benchmarks in the history of contemporary photography. As in the case of other titles in the series, the reproductions of all the works are accompanied by a critical apparatus with texts discussing the area, artists, and research explored.

A collection of previously unreleased photographs by the German artist shot over the past three years between Venice and the Tuscan-Emilian Apennines.

Offers an interpretation of contemporary reality of India and South America through the language of images.

A broad monograph devoted to Daido Moriyama, one of the pre-eminent names in contemporary Japanese photography along with Nobuyoshi Araki, Yasumasa Morimura, and Shomei Tomatsu. Moriyamäs photography is provocative, both for the form it takes (dirty, blurry, overexposed, or scratched) and for its content. The viewer¿s experience of the photo¿whether it captures a place, a person, a situation, or an atmosphere¿is the central thrust in his work, which vividly and directly conveys the artist¿s emotions. His perspective and cultural background reveals aspects of Japan heretofore unknown. Seeing how he transforms the small, easily overlooked moments of everyday life into scenes of deep significance, the readers will be drawn into an investigation of reality in contemporary life.