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"Secretum" - Petrarch's best-known work in Latin - is a fascinating and pioneering example of the autobiographical genre.
In Rome on May 20, 1347 Cola di Rienzo, a young visionary with a gift for oratory, overthrew the rule of the barons and the pope. Cola's revolution then attempted to restore the greatness of the medieval commune, revive the ancient Roman Republic, and usher in a new age of liberty, justice and peace. The bright hope for Rome and Italy soon changed to disillusionment, however, as pope and barons conspired to isolate and then topple the Tribune of the People only seven months later. After a period of exile and wandering in the Abruzzi Mountains, he traveled to the Holy Roman Emperor in Prague where he was befriended by Charles IV but eventually arrested, imprisoned by the Inquisition, and turned over to his arch-enemy, Pope Clement VI in Avignon. In a bizarre turn of events he was freed and returned to Rome to restore the republic. Shortly thereafter the barons revolted again; and Rienzo was slain by a mob on the Capitoline Hill, near where his bronze statue now stands. Using their letters and other writings, plus many other contemporary documents, this book tells the story of the relationship between Cola di Rienzo and Francesco Petrarch, the poet and Renaissance humanist. Petrarch's initial break with the Tribune and his eventual bid to save him from death offer a remarkable case study of the interaction between the world of letters and politics - between the contemplative and the active lives - in the early Renaissance. Translated from Latin by Mario E. Cosenza. 3rd, revised, edition by Ronald G. Musto. Updated introduction, bibliography, map, notes and index.
In the early spring of 1358 Francis Petrarch was invited by his friend Giovanni Mandelli to go on a pilgrimage to the Holy Land. Petrarch declined, instead offering Mandelli this pilgrimage guide rather than his companionship.
In Petrarch's hands, lyric verse was transformed from an expression of courtly devotion into a way of conversing with one's own heart and mind. David Slavitt renders the sonnets in Il Canzoniere, along with the shorter madrigals and ballate, in a sparkling and engaging idiom and in rhythm and rhyme that do justice to Petrarch's achievement.
Durling's edition of Petrarch's poems has become the standard. Readers have praised the translation of the authoritative text as graceful and accurate, conveying a real understanding of what this difficult poet is saying. The literalness of the prose translation makes this book especially useful to students who lack a full command of Italian.
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