Bøker av Franny Moyle

The man behind the paintings: the extraordinary life of J. M. W Turner, one of Britain's most admired, misunderstood and celebrated artistsJ. M. W. Turner is Britain's most famous landscape painter. Yet beyond his artistic achievements, little is known of the man himself and the events of his life: the tragic committal of his mother to a lunatic asylum, the personal sacrifices he made to effect his stratospheric rise, and the bizarre double life he chose to lead in the last years of his life.A near mythical figure in his own lifetime, Franny Moyle tells the story of the man who was considered visionary at best and ludicrous at worst. A resolute adventurer, he found new ways of revealing Britain to the British, astounding his audience with his invention and intelligence. Set against the backdrop of the finest homes in Britain, the French Revolution and the Industrial Revolution, this is an astonishing portrait of one of the most important figures in Western art and a vivid evocation of Britain and Europe in flux.

In the spring of 1790 two of the most gifted artists in Europe met in Rome and became fast friends, sharing their views on art, visiting the city's ancient sites and making trips to the opera together over several happy weeks. The Swiss history painter Angelica Kauffman and the French portraitist Elisabeth Vigée Le Brun are no longer household names in the early twenty-first century but were much-fêted celebrities in the late eighteenth. The two had much in common: both had been child prodigies; both were members of the prestigious Academies of their respective countries; both had been celebrated court painters; both had made disastrous marriages that had drained them financially and made them the subject of scandal.Franny Moyle uses their meeting in the eternal city as the point of departure for a lavishly illustrated 'life and times' biography of two brilliant but neglected women artists whose lives and creative careers straddled the political upheavals of the late eighteenth and early nineteenth centuries.Mrs Kauffman and Madame Le Brun allows Moyle to explore an age of political, aesthetic and social revolution via a web of connections that embraces many of the most intriguing and powerful personalities of the time - to view a whole era of changing ideas and political ferment through the prism of the intertwined tales of two remarkable, rediscovered female lives.

The first illustrated biography of Hans Holbein, the painter who depicted some of the most powerful people of the early sixteenth century, in three decades.

In the spring of 1895 the life of Constance Wilde changed irrevocably. Up until the conviction of her husband, Oscar, for homosexual crimes, she had held a privileged position in society. Part of a gilded couple, she was a popular children's author, a fashion icon, and a leading campaigner for women's rights. A founding member of the magical society the Golden Dawn, her pioneering and questioning spirit encouraged her to sample some of the more controversial aspects of her time. Mrs Oscar Wilde was a phenomenon in her own right. But that spring Constance's entire life was eclipsed by scandal. Forced to flee to the Continent with her two sons, her glittering literary and political career ended abruptly. Having changed her name, she lived in exile until her death. Franny Moyle now tells Constance's story with a fresh eye and remarkable new material. Drawing on numerous unpublished letters, she brings to life the story of a woman at the heart of fin-de-siecle London and the Aesthetic movement. In a compelling and moving tale of an unlikely couple caught up in a world unsure of its moral footing, she uncovers key revelations about a woman who was the victim of one of the greatest betrayals of all time.

Their Bohemian lifestyle and intertwined love affairs shockingly broke 19th Century class barriers and bent the rules that governed the roles of the sexes. They became defined by love triangles, played out against the austere moral climate of Victorian England; they outraged their contemporaries with their loves, jealousies and betrayals, and they stunned society when their complex moral choices led to madness and suicide, or when their permissive experiments ended in addiction and death. The characters are huge and vivid and remain as compelling today as they were in their own time. The influential critic, writer and artist John Ruskin was their father figure and his apostles included the painter Dante Gabriel Rossetti and the designer William Morris. They drew extraordinary women into their circle. In a move intended to raise eyebrows for its social audacity, they recruited the most ravishing models they could find from the gutters of Victorian slums. The saga is brought to life through the vivid letters and diaries kept by the group and the accounts written by their contemporaries. These real-lie stories shed new light on the greatest nineteenth-century British art.