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Franz Fühmann's magnum opus. At the Burning Abyss is a gripping and profoundly personal encounter with the great expressionist poet Georg Trakl. It is a taking stock of two troubled lives, a turbulent century, and the liberating power of poetry. Picking up where his last book, The Jew Car, left off, Fühmann probes his own susceptibility to ideology's seductions--Nazism, then socialism--and examines their antidote, the goad of Trakl's enigmatic verses. He confronts Trakl's "unlivable life," as his poetry transcends the panaceas of black-and-white ideology, ultimately bringing a painful, necessary understanding of "the whole human being: in victories and triumphs as in distress and defeat, in temptation and obsession, in splendor and in ordure." In 1982, the German edition of At the Burning Abyss won the West German Scholl Siblings Prize, celebrating its "courage to resist inhumanity." At a time of political extremism and polarization, has lost none of its urgency.
Four classical Greek myths retold with unexpected twists by an East German dissident. Franz Fÿhmannâ¿s subversive retellings of four Greek legends were first published in East Germany in 1980. In them, Fÿhmann plumbs the ancient talesâ¿ depths and makes them his own. Attuned to conflict and paradox, he sheds light on the complexities of sex and love, art and beauty, politics and power. In the title story, the love of the goddess Eos for the mortal Tithonos reveals the blessing and curse of transience, while âHera and Zeusâ? probes the divine coupleâ¿s tumultuous relationship and its devastating consequences for a world embroiled in war. Fÿhmannâ¿s unflinching account of Marsyasâ¿ flaying by Apollo has been widely read as a dissident political statement that has lost none of its incisive force. At times charged with sensuality, and at others honed to a keen analytical edge, Fÿhmannâ¿s shimmering prose is matched by Sunandini Banerjeeâ¿s exquisite collages.
Offers an examination of the psychology of National Socialism. In this title, each story presents a snapshot of a personal and historical turning point in the life of the narrator, beginning with childhood anti-Semitism and moving to a youthful embrace - and an ultimate rejection - of Nazi ideology.
This work is a gripping and profoundly personal encounter with the great expressionist poet Georg Trakl. It is a taking stock of two troubled lives, a turbulent century, and the liberating power of poetry. Picking up where his last book, 'The Jew Car', left off, Fèuhmann probes his own susceptibility to ideology's seductions - Nazism, then socialism - and examines their antidote, the goad of Trakl's enigmatic verses.
Abonner på vårt nyhetsbrev og få rabatter og inspirasjon til din neste leseopplevelse.
Ved å abonnere godtar du vår personvernerklæring.