Bøker av Fred (University of Sheffield) Inglis

Richard Hoggart has been, perhaps, the best-known, and certainly the most affectionately acknowledged, British intellectual of the past sixty years. His great classic, The Uses of Literacy, provided for thousands of unsung working-class readers a wholly recognisable and tender account of their own coming-to-maturity and of the preciousness and the hardships of the life of the poor in pre-World War II Britain. But he was far more than narrator of a neglected class. Hoggart was also a public figure of extraordinary energy and eminence. He dominated the single most important Royal Commission on broadcasting, and single-handedly he is remembered as clinching for the defence the publication of Lady Chatterley s Lover, after which he became a leading officer and defender of the international agency protecting the culture of the very world, UNESCO. This is the first biography of this amazing man. It seeks to tie together in a single narrative life and work, to settle Hoggart in the great happiness of a fulfilled family life and in the astonishing achievements of his public and professional career, considering each of his books in detail, and following him through the long and hard labours of his different public and academic offices. Fred Inglis tells this gripping tale of a figure of great significance to anyone who cherishes the stuff of culture, and tells it vividly and directly. It is a tale of a good man with which to edify the present, and to teach us of all that now threatens our best national (and international) forms of expression: our art, our culture, ourselves.

What is, or are, Cultural Studies? In this outstanding critical and historical account, Fred Inglis, strips away the philosophical incoherence of Cultural Studies to reveal a common focus within the protean subject--matter and complex history of the field.

This is the first full--scale study of the work of Clifford Geertz, who is one of the best--known anthropologists in the world today. In a lively and accessible introduction to his work, Fred Inglis situates Geertza s thought in the context of his life and times, reviewing its forty--year range.

Culture, Raymond Williams once wrote, is one of the most difficult words in language. Since then the concept has become part of our everyday vocabulary; it is used in a variety of different contexts: to describe the behaviour of corporations or criminals; to provide personal and national identity; it even gives its name to a Department of State.