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Bøker av Fyodor Dostoevsky

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  • av Fyodor Dostoevsky
    140 - 380

  • av Fyodor Dostoevsky
    142

    In this almost documentary account of his own experience of penal servitude in Siberia, Dostoevsky describes the physical and mental suffering of the convicts, the squalor, the degradation, in relentless detail - even down to the intricate procedure whereby the men strip for the bath without removing their ten-pound leg-fetters. The steam-bath scene itself, where the livid branded bodies seem to burn in the fires of Hell, is an extraordinary tour de force, compared by Trugenev to passages from Dante's 'Inferno.'

  • av Fyodor Dostoevsky
    246

  • av Fyodor Dostoevsky
    192

    Second, The Gambler, a stunning psychological portrait of a young man's exhilarating and destructive addiction, a compulsion that Dostoevsky - who once gambled away his wife's wedding ring- knew intimately from his own experience.

  • - A Novel in Three Parts (Translated by Richard Pevear & Larissa Volokhonsky)
    av Fyodor Dostoevsky
    176

    'The most innovative and challenging writer of fiction in his generation in Russia' Guardian Based on a real-life crime which horrified Russia in 1869, Dostoevsky intended his novel to castigate the fanaticism of his country's new political reformers, particularly those known as Nihilists.

  • - with related chapters from The Brothers Karamazov
    av F. M. Dostoevsky & Charles Guigno
    182

  • av Fyodor Dostoevsky
    246

    Nineteen-year-old Arkady Dolgoruky, the illegitimate son of a landowner, has difficulty establishing his personal identity amid the political and social upheavals of nineteenth-century Russia.

  • av Fyodor Dostoevsky
    131 - 217

    The text for this edition of Notes from Underground is Michael Katz's acclaimed translation of the 1863 novel, which is introduced and annotated specifically for English-speaking readers.

  • - Translated by Richard Pevear & Larissa Volokhonsky
    av Fyodor Dostoevsky
    166

    Presenting the apology and confession of a minor mid-19th-century Russian official, this title offers a half-desperate, half-mocking political critique and an account of man's breakaway from society and descent 'underground'.

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