Bøker av Gabriel P. Weisberg

This beautiful publication presents a catalogue raisonné of Léon Bonvin's work published in both French and English. Introduced by several illuminating essays and accompanying an exhibition at the Fondation Custodia, this book enriches our understanding of the previously overlooked, yet immensely talented, French artist. Léon Bonvin never enjoyed the same notoriety as his half-brother, Francois (1817-1887), who was a well-regarded realist painter in the nineteenth century. He is characterised from the few remaining sources as misunderstood and ill-fated. As he was struggling to make a living, Bonvin took over his father's inn in Vaugirard, while continuing to paint watercolours. His work, depicting wild flowers, still lifes and views of the still rural and working-class plain exhibit a deep sincerity. This catalogue raisonné is introduced by a series of essays, the outcome of intensive research that sheds new light on the life and art of Bonvin. Weisberg delivers two essays, a study of his career, and an exploration of contemporary receptions to his art. Luijten's essay questions the artistic inspiration that Bonvin drew upon. Briggs considers the transatlantic appeal of Bonvin's works whilst Guichané and Quentin explore his character and artistic practice. The catalogue documents all known works by the artist, which are scattered throughout public and private collections, mainly in the United States of America and France. Among these are many drawings which have never been published before. Together, the essays and comprehensive catalogue of his works, provide an essential foundational knowledge upon which an appreciation of Bonvin's magnificent oeuvre may be built.

Breaking the Mold insightfully examines the formation and scope of the Noah L. and Muriel S. Butkin collection at the Snite Museum of Art, University of Notre Dame. The Butkins were at the forefront of the art historical reevaluation of realist, naturalist, and academic paintings in the 1970s, championing 19th-century French paintings and drawings by artists as diverse as François Bonvin, Théodule Ribot, Antoine Vollon, Léon Lhermitte, Gustave Colin and Georges Vibert. With essays examining how the collection was created and detailed entries on each work, Breaking the Mold presents a timely study of collectors and artists whose contributions deserve much broader attention.

First Published in 1998. Routledge is an imprint of Taylor & Francis, an informa company.

Reveals the Art Nouveau period as an era dedicated to design reform in all areas of the visual arts. Annotated bibliographic entries from period literature provide evidence for the spread of design changes, with later publications demonstrating the changes in the way the period has been studied.