Bøker av Gary J Shipley

A narrator is trapped inside a house, where their search for an exit ends up only adding to its walls, its ceilings, its floors, its rooms.The House Inside The House of Gregor Schneider is a conceptual nouveau roman constructed almost entirely from appropriated writings on the work of Gregor Schneider, primarily encounters with Die Familie Schneider and Haus u r. The texts come from various sources, including Schneider himself. All names and second-person references have been replaced with the first-person. Past and future tenses have become present-tense. 'House' is sometimes replaced by 'room.' Words have been pluralised, singularised, or erased wherever necessary. For both the conceptualist writer and practitioners of the nouveau roman, objects take on a position of prominence. For the former, words are objects. For the latter, objects come to the fore as plot and character are made subsidiary. In merging these theoretical standpoints (while also mirroring Schneider's own artistic practice), THITHOGS places words/objects behind or in front of each other until they are no longer tools of orientation but disorientation. There are only the objects and the narrator's/artist's subservience to them. There is only the coalescing of objects/words and our being lost inside them. There is no around or through or retreat, only deeper inside the ever-growing yet ever-shrinking surface.

"Absurdist horror at its best. Gary Shipley had me hooked from beginning to end." - Carlton Mellick III, author of Quicksand HouseSomething is horribly wrong with my wife. She doesn't move anymore. When I try to lift her I can't. It's like she's glued to the floor, or impaled on something. But her body keeps randomly appearing around the house in contorted positions: facedown in the hallway, at the end of our daughter's bed, and on the ceiling of the main room, her feet, hands and backside flat to the plaster.There is a cold translucent slime coating her skin. The scent of her is intense and repugnant, and yet I am finding myself increasingly drawn to her. I have a burning desire to merge with her. The children, too, want to be near her. Sitting on top of her brings them comfort as they stare at their tablets and phones. We stop going to work or to school. We feed from her. We begin to change. And we are not the only ones...The Unyielding is a darkly surreal tale that details what happens to a family when one of its members becomes an immovable: an entity that while corpse-like is also spatially-inconstant, oddly nutritious, and excessively seductive to surrounding humans. If you've ever wondered what philosophical pessimism looks like in the flesh, it looks like this.