Bøker av Gemma Gorga

Imagine a book of hours condensed into a book of minutes: that is the project of the compact lyrical prose poems found in Gemma Gorga's Book of Minutes, the first English-language translation of this emerging poet, widely known and loved in her native Catalonia yet little known outside it. The poems in Book of Minutes move seamlessly from philosophical speculation to aphorism, condensed narrative, brief love letter, and prayer, finding the metaphysical in even the most mundane. In the space of one or two paragraphs, they ponder God, love, language, existence, and beginnings and endings both large and small. In her openness to explore these and many other subjects, Gorga's leitmotif might well be "light." Carrying with them echoes of Wallace Stevens, Rainer Maria Rilke, Hans Christian Andersen, Francis Ponge, George Herbert, and Emily Dickinson, the poems in Book of Minutes are nonetheless firmly in the twenty-first century, moving in a single breath from the soul to diopters or benzodiazepine. In deft, idiomatic translation from Sharon Dolin, Book of Minutes also retains the original Catalan texts on facing pages.

Seductions in Narrative is a highly original, academic study which provides a critical discourse in which desire, narrative, and subjectivity are explored. Through the critical reading of two novels by contemporary English authors, Angela Carter and Jeanette Winterson, the book cleverly assesses the ways in which desire allows the subject to imagine an alternative, utopian location where a narrative of the self, in all its multiplicity and ambiguity, can be effected. This book is unique as general studies on these issues tend to focus on the literature produced over the nineteenth century, but not on contemporary literature. The pieces which examine desire and narrative in contemporary novels tend to do so in the work of post-colonial authors. Specific works on the production of Angela Carter and Jeanette Winterson also tend to focus on a somewhat close reading of their novels, but do not make use of their fiction in order to debate specific, poststructuralist issues, as this book successfully undertakes.