Bøker av Genna Sosonko

In his third full-length memoir about one of the world's greatest ever chess players Genna Sosonko portrays a warm picture of the seventh world champion Vasily Smyslov, with whom he spent considerable time over the board, during tournaments and while meeting at each other's homes. Smyslov the man was far more balanced and spiritual than most of his contemporaries, capable of a relaxed and yet principled approach to life. Unlike most top players he was able to reach a very high standard in his chosen hobby - in his case, classical singing - even while playing chess at the very top. His natural inclination to see the best in people was, however, challenged as the world around him underwent fundamental changes late in his life.The new freedoms of the post-Soviet era also engendered one of the most extraordinary polemics in chess history - David Bronstein's article 'Thrown' Games in Zurich (2001) - bringing accusations against Smyslov that forced him to defend himself at the age of eighty, by which time many witnesses to the events in Zurich were already deceased. In this book, Genna focuses in particular on that polemic, places it in the wider context of the so-called Soviet Chess School, and asks whether Bronstein's hurt and accusations were justified.

Viktor Korchnoi was one of the leading grandmasters of the 20th century, coming within one game of winning the world championship in 1978. His battles with Karpov for the world crown were among the most important chess matches ever played. A man with a unique - and in many ways tragic - life and career, Korchnoi's defection to the West in 1976 was a major event in Cold War politics. Grandmaster Genna Sosonko was Korchnoi's coach and second during tournaments and candidates matches in 1970-71 and then a close friend of Korchnoi for decades. Indeed, Sosonko's emigration to the West in 1972, which is described in detail in this memoir, had a key impact on Korchnoi's decision to defect four years later. They would meet up at tournaments and at home and discuss chess, politics, and just about everything else. Their conversations constitute an important part of this book, in which Sosonko tackles difficult questions about Korchnoi's personality and places much of his often challenging behavior into its historical context. This book, like Sosonko's previous masterpiece The Rise and Fall of David Bronstein, contains no games but focuses on Korchnoi's life, from his early childhood to his final years. Further, it includes many previously unpublished photos from the private collections of Sosonko and the Korchnoi family.

Genna Sosonko is widely acclaimed as the most prominent chronicler of a unique era in chess history. In the Soviet Union chess was developed into an ideological weapon that was actively promoted by the country's leadership during the Cold War. Starting with Mikhail Botvinnik, their best chess players grew into symbols of socialist excellence. Sosonko writes from a privileged dual perspective, combining an insider's nostalgia with the detachment of a critical observer. He grew up with legendary champions such as Mikhail Tal and Viktor Korchnoi and spent countless hours with most of the other greats and lesser chess mortals he portrays.In the late 1980s he began to write about the champions he knew and their remarkable lives in New In Chess Magazine. First, he wrote primarily about Soviet players and personalities, and later, he also began to portray other chess celebrities with whom he had crossed paths. They all vividly come to life as the reader is transported to their time and world. Once you've read Sosonko, you will feel you know Capablanca, Max Euwe and Tony Miles. And you will never forget Sergey Nikolaev.This monumental book is a collection of the portraits and profiles Genna Sosonko wrote for New in Chess magazine. The stories have been published in his books: Russian Silhouettes, The Reliable Past, Smart Chip From St. Petersburg and The World Champion I Knew. They are supplemented with further writings on legends such as David Bronstein, Garry Kasparov and Boris Spassky. They paint an enthralling and unforgettable picture of a largely vanished age and, indirectly, a portrait of one of the greatest writers on the world of chess.