Bøker av Geoffrey Burgess

Friedrich von Huene (1929-2016) is arguably the most important manufacturer of historical woodwinds in the 20th century. Since he began making recorders in 1958, von Huene has exerted a strong influence on the craft of building woodwind instruments and on the study of instrument-making, as he has helped to shape the emerging field of Early Music performance practice. Recipient of lifetime achievement awards from the American Musical Instrumental Society, the National Flute Association, and Early Music America, he has remained at the forefront of research and design of historical copies of recorders, flutes, and oboes. Burgess's compelling narrative combines biography, cultural history, and technical organological enquiry.This second, reprint edition commemorates the passing of Friedrich and his beloved and ever-supportive wife Ingeborg (1930-2023).This volume of color plates serves as a supplement to the text volume, ISBN: 9798867441838.

The oboe is an instrument with a long and rich history. In this book two distinguished oboist-musicologists trace that history from its beginnings to the 21st century, discussing how and why the oboe evolved, what music was written for it, and which players were prominent.

A garden historian and a musicologist stumble on a long-forgotten manuscript containing information relevant to their two disciplines. The chronicle of Johann Caspar Gleditsch, a musician who worked closely with Johann Sebastian Bach, reveals a life rich in adventure, court intrigue, family dramas, and secrets hidden behind the manicured hedges of Leipzig's gardens. As they grapple with the chronicle's contents, and its personal account of the music in the time of Bach, Mark and Jeremy confront the growing attraction they feel towards each other.Geoffrey Burgess spins a tale of the mundane and the extraordinary in Germany at the dawn of the Age of Reason. Based on extensive research, The Thorn of the Honey Locust is shot through with intriguing glimpses of scientific experiments, botanical discoveries, and the musical practices of the time. It is the story of how the thorns of an American tree came to symbolize the unsettling antagonisms between father and son.

"The Premier Oboist of Europe": A Portrait of Gustave Vogt describes the life and achievements of the most prolific composer of oboe music in the nineteenth century. This book attempts to stimulate appreciation of Gustave Vogt (1781-1870) as musician and historical personality. It brings together portraiture, personal correspondence, concert reviews, autographs, and countless other documents including Vogt's Conservatoire exam reports, a detailed work list of Vogt's compositions, and the first complete transcription and translation of his unpublished oboe method. Despite his exceptional career and the seminal position in the history of the oboe, Vogt's long and active career have been largely passed over. He is remembered primarily for being the teacher of oboists who took up posts in France and England. In truth, however, during his long life Vogt witnessed huge transformations, affecting not only musical fashion but the social fabric of the world about him. After being trained at the Paris Conservatoire, he earned considerable repute from his appearances in concert hall and salon. Like most artists of his day, Vogt performed his own compositions but was also praised for his skill as a chamber musician, most notably in the wind quintet that premiered the works of Anton Reicha. As well as reawakening appreciation of a musician, known in his day as Europe's greatest oboist, this book posits an alternative viewpoint by writing history from the perspective of a musician caught up in the flow of his times-an extraordinary personality who was representative of the place and time in which he lived, rather than an exception to them.