Bøker av Geoffrey O'Brien

A genre-bending novel of 1001 nights of no-holds-barred, pre-code American movies distilled into a single fevered dreamworld.Arabian Nights of 1934 is a journey through the fevered dreamworld embodied in American movies of the early 1930s: an era that closed abruptly with the enforcement of the Production Code in July 1934. It distills a thousand and one nights of Depression-era movie-going—plotlines, closeups, cityscapes, wisecracks, backchat, and frantic outbursts—into a haunting parallel life, the stories bleeding into one another as they did in the minds of the viewers whom they helped sustain.Two of those viewers, it so happens, are O'Brien's own parents in their restless youth—one impatient to experience the world beyond the screen, one ready to take it on—and the glimpse we're afforded into the darkened theaters of their minds frames the book with an act of imagination at once tender and audacious.

While continuing to draw on timeless classical references, this edition also incorporates more than 3,000 new quotes from more than 700 new sources, including Alison Bechdel, Ta-Nehisi Coates, Pope Francis, Atul Gawande, Ruth Bader Ginsburg, Hilary Mantel, Lin-Manuel Miranda, Claudia Rankine, Fred Rogers, Bernie Sanders, Patti Smith, and Malala Yousafzai. Bartlett's showcases the thoughts not only of renowned figures from the arts, literature, politics, science, sports, and business, but also of otherwise unknown individuals whose thought-provoking ideas have moved, unsettled, or inspired readers and listeners throughout the ages. Bartlett's makes searching for the perfect quote easy in three ways: alphabetically by author, chronologically by the author's birth date, or thematically by subject.

The Phantom Empire is a brilliant, daring, and utterly original book that analyzes (even as it exemplifies) the effect that the image saturation of a hundred years of moving pictures have had on human culture and consciousness.

"Dashiell Hammett, Mickey Spillane, James M. Cain, Raymond Chandler, Jim Thompson, David Goodis ... these are a few of the masters of noir responsible for the great lurid paperbacks of the thirties, fort"